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  • Craft and Criticism
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Maeve Higgins on How to Write with Humor

Maeve Higgins on How to Write with Humor

“No topic is off-limits for comedy.”

By Maeve Higgins | January 28, 2022

Marcial Gala on Writing Cuba and Reworking <em>The Iliad</em>

Marcial Gala on Writing Cuba and Reworking The Iliad

“My literary project is Cienfuegos: world capital.”

By Samuel Jaffe Goldstein | January 28, 2022

Steven Tagle on Writing and Living in Greece

Steven Tagle on Writing and Living in Greece

This Week from The Common Podcast

By The Common | January 28, 2022

Anjanette Delgado, Yaddyra Peralta, and Mia Leonin on the Literature of Uprootedness

Anjanette Delgado, Yaddyra Peralta, and Mia Leonin on the Literature of Uprootedness

In Conversation with Mitchell Kaplan on The Literary Life Podcast

By The Literary Life | January 28, 2022

Patricia A. Jackson on Reworking Biblical Lore and Mythology

Patricia A. Jackson on Reworking Biblical Lore and Mythology

In Conversation with Rob Wolf on the New Books Network

By New Books Network | January 28, 2022

John Darnielle on the Crisis of Conscience in True Crime

John Darnielle on the Crisis of Conscience in True Crime

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | January 27, 2022

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Deesha Philyaw on Why Her Book Should Not Have Succeeded

By Book Dreams | January 27, 2022

Why We Need to Revisit Old Myths to Create New Ones

By Michael Bazzett | January 27, 2022

The Best of 1970s and 80s Women-Authored Science Fiction and Fantasy

By David L. Pike | January 26, 2022

Imani Perry on Writing the Story of the American South

Imani Perry on Writing the Story of the American South

The Author of South to America Discusses the Space Between Public and Personal Narratives

By Corinne Segal | January 26, 2022

How Marc Brown Got John Lewis (and Others!) to Guest-Star on <em>Arthur</em>

How Marc Brown Got John Lewis (and Others!) to Guest-Star on Arthur

This Week on the NewberyTart Podcast

By NewberyTart | January 26, 2022

JoAnna Novak on Doing the Work Work, and Also the Work

JoAnna Novak on Doing the Work Work, and Also the Work

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | January 25, 2022

Sequoia Nagamatsu on Writing the Grief and Connections of an Enduring Pandemic

Sequoia Nagamatsu on Writing the Grief and Connections of an Enduring Pandemic

The Author of How High We Go in the Dark Speaks With Jane Ciabattari

By Jane Ciabattari | January 25, 2022

Place is Not a Character—It is Its Own Story

Place is Not a Character—It is Its Own Story

Morgan Thomas on the Way We Write Natural Landscapes

By Morgan Thomas | January 25, 2022

Jessamine Chan and Crystal Hana Kim Talk Pregnancy, Depression, and Asian American Heroism

Jessamine Chan and Crystal Hana Kim Talk Pregnancy, Depression, and Asian American Heroism

The School for Good Mothers has its “Finger on the Pulse of Culture”

By Crystal Hana Kim | January 25, 2022

“A Kind of Clash.” Tom Bissell on the Structure of His Short Stories

“A Kind of Clash.” Tom Bissell on the Structure of His Short Stories

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 24, 2022

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Page 141 of 257
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    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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