Literary Hub
Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Criticism
Fiction and Poetry
News and Culture
Lit Hub Radio
Reading Lists
Book Marks
CrimeReads
Log In
Craft and Advice
“We’re the Fools in Charge of Forgiveness.” Steve Almond on the Task of the Social Novelist
In Conversation with Brad Listi on
Otherppl
By
Otherppl with Brad Listi
| May 4, 2022
The Story That Saved Me: On Writing My Way Out of a Life That No Longer Felt Like Mine
Lauren McBrayer’s Novel Showed up Exactly When She Needed It
By
Lauren McBrayer
| May 4, 2022
Hernan Diaz: “I Wouldn’t Be the Person I am Without Borges.”
The Author of
Trust
Talks to Jane Ciabattari
By
Jane Ciabattari
| May 3, 2022
Lessons Learned from a Year Listening to the Fictional Octopus in My Head
Shelby Van Pelt on an Unlikely Friend and Saying What You Mean
By
Shelby Van Pelt
| May 3, 2022
How the Small Moments That Haunt Us Can Form the Seeds of a Novel
Steve Almond on Writing as a Means of Dealing With Obsession
By
Steve Almond
| May 3, 2022
Love is Space: Notes on Marriage and Creativity
Andrea Bajani on Writing, Solitude, and Forgiveness
By
Andrea Bajani
| May 2, 2022
Best Reviewed
Books of the Week
"Structure is Everything." Keith O'Brien on Structuring a Nonfiction Narrative
By
First Draft: A Dialogue on Writing
| May 2, 2022
Alexander Chee on Staying Organized While Writing
By
Alexander Chee
| April 29, 2022
Robert M. Pirsig on the Book He Wrote (And the One He Didn’t)
By
Robert M. Pirsig and Wendy K. Pirsig
| April 29, 2022
How the Russian and Ukrainian Languages Intersect in Eugene Vodolazkin’s
Brisbane
Marian Schwartz on the Current State (and Future) of Russian Literature in Translation
By
Marian Schwartz
| April 29, 2022
We Are in a Golden Age of Historical Fiction for People of Color
Jasmin Darznik on How the Untold Stories of the Past Resonate Today
By
Jasmin Darznik
| April 29, 2022
If You Want to Inhabit the World of Your Novel, Take a Class
Adriana Trigiani on How a Gemology Class Helped Feed Her Literary Obsession
By
Adriana Trigiani
| April 29, 2022
How to Write a Literary Memoir About Neurodivergency
Rebecca Schiller in Conversation with Andrew Keen
By
Keen On
| April 29, 2022
Michael Wheaton on Fatherhood and Writing to Regain a Sense of Control
In Conversation with Kirsten Reneau for the
Micro
Podcast
By
Micro Podcast
| April 29, 2022
What is it Like to Be a Blind Writer Writing for Sighted Readers?
George Mendoza and Kristen Witucki Talk Craft, Community, and Ableism in the Publishing Industry
By
Jessica Powers
| April 28, 2022
Susan Straight on Louise Erdrich and the Characters Who Haven’t Left Our Dreams
How a Novel in Stories Creates History Through a Chorus of Voices
By
Susan Straight
| April 28, 2022
« First
‹ Previous
131
132
133
134
135
136
137
138
139
Next ›
Last »
Page 135 of 261
Thinking Outside the Cop: Using Game Wardens in Crime Fiction
January 13, 2026
by
Sarah Crouch
Make Our Villains Gayer, Please: Reclaiming the Trope of Queer-Coded Antagonists
January 13, 2026
by
Isha Raya
Ross Montgomery on Researching Profanity, Halley's Comet, and Writing Historical Fiction
January 13, 2026
by
Alex Dueben
The Best Reviewed Books of the Week
"Poignant Tender The final line of em The Rest of Our Lives em is by…"