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  • Craft and Criticism
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Aimee Mullins on Finding a World of Possibilities in Every Problem

Aimee Mullins on Finding a World of Possibilities in Every Problem

From the ArtCenter College of Design’s Bi-Weekly Podcast

By Change Lab | May 11, 2022

How the Bay Area’s Black Cowboys Carry on a Long Tradition

How the Bay Area’s Black Cowboys Carry on a Long Tradition

Gabriela Hasbun on Photographing the Rodeo

By Gabriela Hasbun | May 10, 2022

What Does It Mean to “Look” Ill?

What Does It Mean to “Look” Ill?

Alice Hattrick on Invisible Pain and Elizabeth Barrett Browning's Portrait

By Alice Hattrick | May 10, 2022

How Sylvia Sleigh’s Nude Male Portraits Subverted the Muse Narrative

How Sylvia Sleigh’s Nude Male Portraits Subverted the Muse Narrative

The Feminist Painter Who Resisted Objectification

By Ruth Millington | May 9, 2022

Behind the Scenes at Andy Warhol’s First Big Bash in “Vacant, Vacuous Hollywood”

Behind the Scenes at Andy Warhol’s First Big Bash in “Vacant, Vacuous Hollywood”

Mark Rozzo on the Artist's First Trip to LA, with Dennis Hopper and Brooke Hayward

By Mark Rozzo | May 9, 2022

How Jews Made the Art World Modern

How Jews Made the Art World Modern

Charles Dellheim in Conversation with Andrew Keen

By Keen On | May 9, 2022

Best Reviewed
Books of the Week

  • The Pelican Child: Stories
  • Languages of Home: Essays on Writing, Hoop, and American Lives 1975-2025
  • On the Calculation of Volume (Book III)
  • The Ferryman and His Wife
  • Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult
  • Mexico: A 500-Year History

The Dust of Ancient Suns: Making Art and Meaning From the Depths of Deep Time

By David Farrier | May 6, 2022

Charlie Porter on the Unspoken Language of the Sartorial

By Charlie Porter | May 3, 2022

We Are in a Golden Age of Historical Fiction for People of Color

By Jasmin Darznik | April 29, 2022

“I Know You Understand.” A Letter Across Time from Celia Paul to Fellow Artist Gwen John

“I Know You Understand.” A Letter Across Time from Celia Paul to Fellow Artist Gwen John

"Please help me, Gwen, to work my way through these feelings of panic and fear.”

By Celia Paul | April 26, 2022

Toni Bentley on George Balanchine, the Man Who Loved Women

Toni Bentley on George Balanchine, the Man Who Loved Women

In Conversation With Andrew Keen

By Keen On | April 26, 2022

Illustrating Patricia Highsmith’s Literary Career

Illustrating Patricia Highsmith’s Literary Career

From Grace Ellis and Hannah Templer’s Graphic Novel

By Grace Ellis and Hannah Temper | April 25, 2022

Artist Lita Albuquerque on Regeneration After the Fire

Artist Lita Albuquerque on Regeneration After the Fire

From the ArtCenter College of Design’s Bi-Weekly Podcast

By Change Lab | April 22, 2022

Alan Lee on Illustrating J.R.R. Tolkien’s <em>The Lord of the Rings</em>

Alan Lee on Illustrating J.R.R. Tolkien’s The Lord of the Rings

On Creating the Feeling of a Gateway into Another World

By Alan Lee | April 20, 2022

Liana Finck on How to Write Like a Cartoonist

Liana Finck on How to Write Like a Cartoonist

"There is no such thing as skimming the surface."

By Liana Finck | April 15, 2022

A Promise of Who You Could Be Right Now: On the Intimacy and Illusions of <em>A Very Young Dancer</em>

A Promise of Who You Could Be Right Now: On the Intimacy and Illusions of A Very Young Dancer

Tova Mirvis on Jill Krementz’s Beloved Book, and the Life of Its Subject

By Tova Mirvis | April 14, 2022

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Page 18 of 47
    • Tom Stoppard's Secret Indiana Jones RewritesDecember 2, 2025 by Olivia Rutigliano
    • December's Best New Crime Novels, Mysteries, and ThrillersDecember 2, 2025 by Molly Odintz
    • 3 Badass Women Who Fought the Nazis During World War IIDecember 2, 2025 by Tara Moss
    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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