What Would It Mean to Really Make Space for Mother-Artists?

What Would It Mean to Really Make Space for Mother-Artists?

Janet Manley on Hettie Judah and the Perennial Problem of the “Mother-Shaped Hole”

By Janet Manley | January 13, 2023

Despite leaks, Prince Harry’s memoir is the UK’s fastest selling nonfiction title ever.

Despite leaks, Prince Harry’s memoir is the UK’s fastest selling nonfiction title ever.

By Jonny Diamond | January 12, 2023

The Names of Things: Larissa Pham on Nature Walks and the Grammar of Animacy

The Names of Things: Larissa Pham on Nature Walks and the Grammar of Animacy

When I’m Not Writing, a Series About Writers and Their Hobbies

By Larissa Pham | January 12, 2023

Singer-Songwriter Margo Price on Finding Truth and Joy in Writing a Memoir

Singer-Songwriter Margo Price on Finding Truth and Joy in Writing a Memoir

Maggie Smith Talks to the Author of Maybe We'll Make It

By Maggie Smith | January 12, 2023

Lit Hub’s Most Anticipated Books of 2023

Lit Hub’s Most Anticipated Books of 2023

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How to Create Paul Newman’s Posthumous Memoir

How to Create Paul Newman’s Posthumous Memoir

Clea Newman Soderlund and David Rosenthal in Conversation with Roxanne Coady on Just the Right Book

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Russell Banks on the Time He Fled Bread Loaf with Nelson Algren

By Adam Colman | January 11, 2023

Surrounded by Wonders: Pico Iyer in Kashmir

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Keri Blakinger on What It’s Like to Interview Someone on Death Row

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Unguilty Pleasures: My Year of Reading Romance Novels

Unguilty Pleasures: My Year of Reading Romance Novels

Katie Fustich on Finding New Possibilities in a Misunderstood Genre

By Katie Fustich | January 9, 2023

Who Is the “Noted Writer” Buried in Sleepy Hollow Cemetery?

Who Is the “Noted Writer” Buried in Sleepy Hollow Cemetery?

Nicky Beer Searches For a Long-Lost Writer in the Family

By Nicky Beer | January 9, 2023

The Sanctity of a Journal: On Private Writing in the Age of Public Content

The Sanctity of a Journal: On Private Writing in the Age of Public Content

“What stories do we owe each other—ourselves?”

By Rachel Schwartzmann | January 6, 2023

Why Travel Writing is a Form of Memoir and How Covid Has Changed How We See the World

Why Travel Writing is a Form of Memoir and How Covid Has Changed How We See the World

Pico Iyer in Conversation with Andrew Keen on Keen On

By Keen On | January 6, 2023

On War, Fatherhood, and the Half-Life of Cormac McCarthy’s Literary Fission

On War, Fatherhood, and the Half-Life of Cormac McCarthy’s Literary Fission

Will Cathcart Travels the Road From Kherson to a Delivery Room in Tbilisi

By Will Cathcart | January 5, 2023

How Mussolini's Legacy Lives on in Both the Public and Private Spheres

How Mussolini's Legacy Lives on in Both the Public and Private Spheres

Andrea Bajani on Fascism and Family in Modern Italy

By Andrea Bajani | January 5, 2023

On Translation and the (Temporary) Inheritance of Trauma

On Translation and the (Temporary) Inheritance of Trauma

Yardenne Greenspan Considers What It Means to Truly Inhabit an Author’s Work

By Yardenne Greenspan | January 4, 2023

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