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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Memoir
Romeo Oriogun on Life as a Poet in Exile from Nigeria
This Week from
The Common
Podcast
By
The Common
| April 22, 2022
Edward Hirsch on Locating the Roots of the American Poetry Tradition
Poetry as Protest, Lament, and Call to Hope
By
Edward Hirsch
| April 21, 2022
Jesymn Ward on Discovering
for colored girls who have considered suicide/when the rainbow is enuf
“I am so thankful to Ntozake Shange for seeing us, reflecting us.”
By
Jesmyn Ward
| April 20, 2022
How the Pandemic Has Changed the Way We Think About Solitude and Loneliness
Four Writers from
The Lonely Stories
Share Their Experiences
By
Natalie Eve Garrett
| April 20, 2022
The Chairman Had No Rhythm: What It Meant to Dance with Mao Zedong
Vanessa Hua Follows Echoes of History Around the Dance Floor
By
Vanessa Hua
| April 20, 2022
Seeking Respite in Landscape: On Following Henry David Thoreau’s Walks
Ben Shattuck Traces the Beginnings of a Journey
By
Ben Shattuck
| April 19, 2022
Best Reviewed
Books of the Week
Adrienne Celt on Losing Her Creative “Rival” Too Soon
By
Adrienne Celt
| April 19, 2022
What Does It Mean to Understand Pain?
By
Haider Warraich
| April 19, 2022
The Bardo of Widowhood: Considering Kathryn Davis’s Meditations on Grief
By
Howard Norman
| April 18, 2022
The Impossible, Crucial Task of Teaching About Rape as a Survivor
Emily Van Duyne on Navigating Stories that Institutions Ignore
By
Emily Van Duyne
| April 18, 2022
How Losing the Tether of Language Helped Me Process Grief
Amanda Bestor-Siegal on Her Year in Paris
By
Amanda Bestor-Siegal
| April 18, 2022
A Tumultuous Love, a Plea of Chocolate Cake: “Would He Taste Me in Each Bite?”
Sanaë Lemoine on the Intense Pull of Young Love
By
Sanaë Lemoine
| April 18, 2022
When Are Men Dangerous? On Agency, Imagination, and What a Teacher Can Do
Steve Edwards: “A story is a negotiation between what might have been, what is, and what still could be.”
By
Steve Edwards
| April 15, 2022
Lynn Hill on Conquering the Treacherous Climb Up El Capitan
“We would do whatever was necessary.”
By
Lynn Hill
| April 15, 2022
“The Danger is Larger Because the Voice is Bigger.” Alexandra Billings on the Surge in Anti-Trans Legislation
In Conversation with Whitney Terrell and V.V. Ganeshananthan on
Fiction/Non/Fiction
By
Fiction Non Fiction
| April 14, 2022
Against (the Very Idea of) Procrastination
Antonia Pont Really, Truly, Definitely Does Not Like the “P” Word
By
Antonia Pont
| April 14, 2022
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Page 68 of 157
The Backlist: Reading John le Carré's 'The Little Drummer Girl' with I.S. Berry
October 24, 2025
by
Polly Stewart
Guillermo del Toro's New
Frankenstein
Adaptation is Life-Giving
October 24, 2025
by
Olivia Rutigliano
Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His Work
October 23, 2025
by
Stephen King
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"