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  • Craft and Criticism
    • Literary Criticism
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How Writing Fiction Can Expose More of Yourself Than Writing Memoir

How Writing Fiction Can Expose More of Yourself Than Writing Memoir

Dani Shapiro in Conversation with Roxanne Coady on Just the Right Book

By Just the Right Book | November 3, 2022

Andrew Sean Greer on the Benefits of Winning the Pulitzer Prize (and Not Having to Schmooze)

Andrew Sean Greer on the Benefits of Winning the Pulitzer Prize (and Not Having to Schmooze)

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | November 2, 2022

Perhaps the Most Remarkable Thing About Charlie Watts Was Just How Remarkably Ordinary He Was

Perhaps the Most Remarkable Thing About Charlie Watts Was Just How Remarkably Ordinary He Was

Paul Sexton in Conversation with Andrew Keen on Keen On

By Keen On | November 2, 2022

Chloé Cooper Jones on the Exchange of Authenticity Between Memoirist and Reader

Chloé Cooper Jones on the Exchange of Authenticity Between Memoirist and Reader

In Conversation with Jordan Kisner on Thresholds

By Thresholds | November 2, 2022

How California is Pioneering the Reform of the American Criminal Justice System

How California is Pioneering the Reform of the American Criminal Justice System

Lenore Anderson in Conversation with Andrew Keen on Keen On

By Keen On | November 2, 2022

Steve Almond on Figuring Out How to Master a Big Plot

Steve Almond on Figuring Out How to Master a Big Plot

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | November 2, 2022

Best Reviewed
Books of the Week

  • The Pelican Child: Stories
  • Languages of Home: Essays on Writing, Hoop, and American Lives 1975-2025
  • On the Calculation of Volume (Book III)
  • The Ferryman and His Wife
  • Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult
  • Mexico: A 500-Year History

Michael Handrick Reads from His New Novel Difference is Born on the Lips

By Damian Barr's Literary Salon | November 2, 2022

The 18th-Century China Question: The Perils of Translating Between Qing China and the British Empire

By Keen On | November 2, 2022

How Cemeteries Reveal America’s Most Hidden and Often Deadliest History

By Keen On | November 2, 2022

Imagining a Kafkaesque Hell in Which There Is Only Jägermeister to Drink and the Devil Is a Corporate Bureaucrat

Imagining a Kafkaesque Hell in Which There Is Only Jägermeister to Drink and the Devil Is a Corporate Bureaucrat

Claudia Lux in Conversation with Andrew Keen on Keen On

By Keen On | November 2, 2022

Listen to Chapters 15 and 16 of <em>Dracula</em>

Listen to Chapters 15 and 16 of Dracula

“If ever a face meant death—if looks could kill—we saw it at that moment.”

By Audiobook Break | November 2, 2022

<em>Making a Scene</em> by Constance Wu, Read by Constance Whats up

Making a Scene by Constance Wu, Read by Constance Whats up

A Poignant and Relatable Memoir

By Behind the Mic | November 2, 2022

Charles Yu: Our Relationship With Time is Changed Forever

Charles Yu: Our Relationship With Time is Changed Forever

This Week on Twitterverse, a Show About Tweets and the Writers Who Send Them

By Twitterverse | November 1, 2022

Kate Beaton on the Grueling Task of Writing a Picture Book and Her New Memoir

Kate Beaton on the Grueling Task of Writing a Picture Book and Her New Memoir

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | November 1, 2022

Antoine Wilson on the Time He Saved Someone’s Life (and Didn’t Get a Steak Dinner)

Antoine Wilson on the Time He Saved Someone’s Life (and Didn’t Get a Steak Dinner)

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | November 1, 2022

Not the People’s Money: Uncovering Bitcoin’s Catastrophic Economic and Environmental Costs

Not the People’s Money: Uncovering Bitcoin’s Catastrophic Economic and Environmental Costs

Colin L. Read in Conversation with Andrew Keen on Keen On

By Keen On | November 1, 2022

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    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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