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Nancy Pelosi’s Majority: Matthew Clark Davison’s San Francisco Take on a National Leader

Nancy Pelosi’s Majority: Matthew Clark Davison’s San Francisco Take on a National Leader

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | November 10, 2022

Alex Marzano-Lesnevich on Gender Identity and Narratives Drawn from the Body

Alex Marzano-Lesnevich on Gender Identity and Narratives Drawn from the Body

In Conversation with Jordan Kisner on Thresholds

By Thresholds | November 10, 2022

Lessons From Fifty Years as a Progressive Agitator: Never Lie, Tell the Truth, Repeat Repeat Repeat

Lessons From Fifty Years as a Progressive Agitator: Never Lie, Tell the Truth, Repeat Repeat Repeat

David Fenton in Conversation with Andrew Keen on Keen On

By Andrew Keen | November 10, 2022

Builders and Destroyers: The Eleven Men (and One Woman) Who Authored 20th-Century Europe

Builders and Destroyers: The Eleven Men (and One Woman) Who Authored 20th-Century Europe

Ian Kershaw in Conversation with Andrew Keen on Keen On

By Keen On | November 10, 2022

<em>Alive at the End of the World</em> by Saeed Jones, Read by Saeed Jones

Alive at the End of the World by Saeed Jones, Read by Saeed Jones

An Unforgettable Poetry Collection

By Behind the Mic | November 10, 2022

Lynn Steger Strong: “Oh, Shit. I Wrote a Domestic Novel. I’m a Woman. What Did I Do?”

Lynn Steger Strong: “Oh, Shit. I Wrote a Domestic Novel. I’m a Woman. What Did I Do?”

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | November 9, 2022

Best Reviewed
Books of the Week

  • Go Gentle
  • The Palm House
  • Lázár
  • Rasputin: The Downfall of the Romanovs
  • Famesick: A Memoir
  • Where the Music Had to Go: How Bob Dylan and the Beatles Changed Each Other--And the World

What Japan Can Teach Urban Americans About Regenerating Rural Values and Practices

By Keen On | November 9, 2022

Our Man in Tokyo: Could Pearl Harbor Have Been Avoided With More Skillful American Diplomacy?

By Keen On | November 9, 2022

Why “Writing” Has Nothing to Do With Being a “Writer”

By Keen On | November 9, 2022

How the 2012 Murder of a Mexican Journalist Should Be a Warning About Press Freedoms in America

How the 2012 Murder of a Mexican Journalist Should Be a Warning About Press Freedoms in America

Katherine Corcoran in Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2022

Ben Aitken Reads from His New Memoir <em>The Marmalade Diaries</em>

Ben Aitken Reads from His New Memoir The Marmalade Diaries

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | November 9, 2022

Listen to Chapters 21 and 22 of <em>Dracula</em>

Listen to Chapters 21 and 22 of Dracula

“His eyes flamed red with devilish passion.”

By Audiobook Break | November 9, 2022

<em>Nona the Ninth </em>by Tamsyn Muir, Read by Moira Quirk

Nona the Ninth by Tamsyn Muir, Read by Moira Quirk

The Next Enthralling Chapter in the Locked Tomb Series

By Behind the Mic | November 9, 2022

Nana Kwame Adjei-Brenyah on Writing Rap Music About Nabokov

Nana Kwame Adjei-Brenyah on Writing Rap Music About Nabokov

This Week on Twitterverse, a Show About Tweets and the Writers Who Send Them

By Twitterverse | November 8, 2022

The Globalization Myth: Why Most Economics Is Regional

The Globalization Myth: Why Most Economics Is Regional

Shannon O’Neil in Conversation with Andrew Keen on Keen On

By Keen On | November 8, 2022

Ada Calhoun on the Satisfaction of Being a Ghostwriter “Fixer”

Ada Calhoun on the Satisfaction of Being a Ghostwriter “Fixer”

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | November 8, 2022

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Page 117 of 434
    • Ande Pliego on the Marvelous Libraries That Inspired Her New NovelApril 20, 2026 by Ande Pliego
    • 6 Literary Mysteries Set in the 1980sApril 20, 2026 by T. Greenwood
    • Dark Fairy Tales: Amin Ahmed On Nostalgia, Illusions, and the Comfort of Serial KillersApril 20, 2026 by Amin Ahmed
    • Go Gentle
    • The Best Reviewed Books of the Week
    • "A social satire full of dopamine-releasing one-liners and sparkling writing But it can be frustratingly…"
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