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Michael Kleber-Diggs on Connecting to the World Through Poetry

Michael Kleber-Diggs on Connecting to the World Through Poetry

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | July 19, 2021

Steven Pressfield on the Artist<br> as Warrior

Steven Pressfield on the Artist
as Warrior

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | July 12, 2021

Marisa Silver on (Finally) Nailing Down Her Novel's Point of View

Marisa Silver on (Finally) Nailing Down Her Novel's Point of View

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | July 6, 2021

Justin Jannise: Making Peace with Putting It All Out There

Justin Jannise: Making Peace with Putting It All Out There

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 28, 2021

Diane Seuss: Does Language Eclipse Feeling?

Diane Seuss: Does Language Eclipse Feeling?

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 21, 2021

Gabriela Garcia on How Mythologies Are Shaped Over Generations

Gabriela Garcia on How Mythologies Are Shaped Over Generations

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 14, 2021

Best Reviewed
Books of the Week

  • Permanence
  • No Way Home
  • Muskism: A Guide for the Perplexed
  • Small Town Girls: A Writer's Memoir
  • Last Night in Brooklyn
  • If This Be Magic: The Unlikely Art of Shakespeare in Translation

How Parenthood Profoundly Shaped Ethan Rutherford’s Stories

By First Draft: A Dialogue on Writing | June 7, 2021

Imbolo Mbue on the Thin Line Between the Physical and Supernatural

By First Draft: A Dialogue on Writing | June 1, 2021

Anna North on Finding a Narrative Space Between Dystopia and Utopia

By First Draft: A Dialogue on Writing | May 24, 2021

Layla AlAmmar: Who Gets to Dictate How a Story Is Told?

Layla AlAmmar: Who Gets to Dictate How a Story Is Told?

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 17, 2021

Why Elizabeth McCracken Loves Ventriloquism and Other Weird Show Business

Why Elizabeth McCracken Loves Ventriloquism and Other Weird Show Business

In Conversation with Mitzi Rapkin on First Draft

By First Draft: A Dialogue on Writing | May 10, 2021

Wrestling with Derrida’s Concept of Forgiving the Unforgivable

Wrestling with Derrida’s Concept of Forgiving the Unforgivable

Viet Thanh Nguyen in Conversation with Mitzi Rapkin on First Draft

By First Draft: A Dialogue on Writing | May 3, 2021

Nalini Singh on the Unnecessary Divide Between Literary and Genre Fiction

Nalini Singh on the Unnecessary Divide Between Literary and Genre Fiction

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 26, 2021

Chang-rae Lee on Writing as a Bodily Experience

Chang-rae Lee on Writing as a Bodily Experience

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 19, 2021

Lidia Yuknavitch Wants You to Write a Triptych

Lidia Yuknavitch Wants You to Write a Triptych

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 12, 2021

Carol Edgarian: We Write from Our Own Urgency, Our Own Questions

Carol Edgarian: We Write from Our Own Urgency, Our Own Questions

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 5, 2021

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Page 16 of 22
    • Death of the Co-Author: How Betrayal and Alienation Shaped The Last MovieApril 25, 2026 by Mark Dzula
    • What's New to Streaming: April 24, 2026April 24, 2026 by Radha Vatsal
    • 6 Unforgettable Psychological ThrillersApril 24, 2026 by Sara Foster
    • Permanence
    • The Best Reviewed Books of the Week
    • "Mackintosh has a spare and confident hand Her work is sometimes described as dreamlike certainly…"
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