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  • Craft and Criticism
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AudioFile's 2021 Best Audiobooks: A Conversation with Narrator Dion Graham

AudioFile's 2021 Best Audiobooks: A Conversation with Narrator Dion Graham

On Harlem Shuffle and the Best Fiction Audiobooks

By Behind the Mic | November 30, 2021

Flaming Chariots and Phlebotomies: Poems by Nada Faris, Gabrielle Bates, and torrin a. greathouse

Flaming Chariots and Phlebotomies: Poems by Nada Faris, Gabrielle Bates, and torrin a. greathouse

This Week from Micro Podcast

By Micro Podcast | November 30, 2021

Shelley Blanton-Stroud On the Different Ways We Mythologize the Past

Shelley Blanton-Stroud On the Different Ways We Mythologize the Past

From the New Video Series Authors in the Tent, Hosted by Ona Russell

By The Virtual Book Channel | November 30, 2021

How Did the Arab Spring Change Fiction?

How Did the Arab Spring Change Fiction?

Talya Zax Looks to Post-Revolutionary Literature

By Talya Zax | November 29, 2021

Mirion Malle: “Let's Talk About Mental Health Without Pointing Blame”

Mirion Malle: “Let's Talk About Mental Health Without Pointing Blame”

The Author of This is How I Disappear Speaks With Sophie Yanow

By Sophie Yanow | November 29, 2021

On Finally Finding an Authentic Voice (After Writing Several Dozen Books)

On Finally Finding an Authentic Voice (After Writing Several Dozen Books)

Mark Scarbrough Takes the Scenic Route to Memoir Writing

By Mark Scarbrough | November 29, 2021

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Francine Prose on Her Encounters with the Literary Strange

By Francine Prose | November 29, 2021

The Last Essay I Need to Write about David Foster Wallace

By Mary K. Holland | November 29, 2021

Jordan Salama on Journeying Colombia’s Magdalena River

By Keen On | November 29, 2021

How My Passion Project Led to Burnout: On the Bittersweet Rewards of Creative Risks

How My Passion Project Led to Burnout: On the Bittersweet Rewards of Creative Risks

Leigh Stein Considers Life as a Working Writer and the Challenges of Forming an Alternative to AWP

By Leigh Stein | November 29, 2021

On the Life of Belle da Costa Greene, Visionary Librarian and Democratizer of Museums

On the Life of Belle da Costa Greene, Visionary Librarian and Democratizer of Museums

Victoria Christopher Murray and Marie Benedict Guest on Book Dreams

By Book Dreams | November 29, 2021

Presenting This Year’s Best Audiobooks

Presenting This Year’s Best Audiobooks

Jo Reed and Robin Whitten Give a Behind-the-Scenes on This Year's List

By Behind the Mic | November 29, 2021

Roderick Beaton on the Greek Revolution of 1821

Roderick Beaton on the Greek Revolution of 1821

In Conversation with Andrew Keen on Keen On

By Keen On | November 29, 2021

Bob Spitz on Writing the Definitive History of the Greatest Rock Band of All Time

Bob Spitz on Writing the Definitive History of the Greatest Rock Band of All Time

In Conversation with Mitchell Kaplan on The Literary Life Podcast

By The Literary Life | November 29, 2021

On Eliza Haywood’s Explorations of Gender Politics and Sexual Passion

On Eliza Haywood’s Explorations of Gender Politics and Sexual Passion

From the History of Literature Podcast with Jacke Wilson

By History of Literature | November 29, 2021

<em>Where the Deer and Antelope Play</em> by Nick Offerman, Read by the Author

Where the Deer and Antelope Play by Nick Offerman, Read by the Author

Travel the Countryside with Nick Offerman

By Behind the Mic | November 29, 2021

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    • From Spies and Matrons to Miami Vice: A Short History of Women in Law EnforcementNovember 7, 2025 by Alie Dumas Heidt
    • Cheryl Isaacs on Cliffhanger Endings and Keeping Readers Invested Until the Last PageNovember 7, 2025 by Cheryl Isaacs
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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