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What Inspired a Bigoted Media Shock Jock to Start His Own Far-Right Fight Club?

What Inspired a Bigoted Media Shock Jock to Start His Own Far-Right Fight Club?

Andy Campbell on Gavin McInnes, the Founder of the Proud Boys

By Andy Campbell | September 20, 2022

Nick Cave and Seán O’Hagan on What Drives Religious Searching

Nick Cave and Seán O’Hagan on What Drives Religious Searching

Discussing Doubt, Wonder, and a Lifetime of Questions

By Literary Hub | September 20, 2022

Fast Ingredients: Mark Bittman on How To Stock Your Pantry With All the Essentials

Fast Ingredients: Mark Bittman on How To Stock Your Pantry With All the Essentials

How to Make Cooking at Home Easier Than Ever

By Mark Bittman | September 20, 2022

Why Jazz? Laura Warrell on Devotion to a “Dying” Art Form

Why Jazz? Laura Warrell on Devotion to a “Dying” Art Form

The Author of Sweet, Soft, Plenty Rhythm Considers the Mysteries of Art and Love

By Laura Warrell | September 20, 2022

Maggie O’Farrell on Elspeth Barker’s Modern Scottish Classic, <em>O Caledonia</em>

Maggie O’Farrell on Elspeth Barker’s Modern Scottish Classic, O Caledonia

“This book, then, is the equivalent of a literary phoenix—rare, thrilling, one of a kind.”

By Maggie O'Farrell | September 20, 2022

Where Blackness is a World of Possibility

Where Blackness is a World of Possibility

Hafizah Augustus Geter on the Shape of Black Joy

By Hafizah Augustus Geter | September 20, 2022

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Post-Realist Fiction: Why Realism Is No Longer an Adequate Novelistic Form for Describing the World

By Keen On | September 20, 2022

"There Are an Unreasonable Number of Words." GennaRose Nethercott on Moving from Poetry to a Novel

By So Many Damn Books | September 20, 2022

How Rising CO2 Is Turning Life on Earth Into a Bad Science Fiction Movie

By Keen On | September 20, 2022

Tim Jones-Yelvington on Writing About Sex Through the Affect of Language

Tim Jones-Yelvington on Writing About Sex Through the Affect of Language

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | September 20, 2022

<em>Man O' War</em> by Cory McCarthy, Read by E.R. Fightmaster

Man O' War by Cory McCarthy, Read by E.R. Fightmaster

A Beautiful Coming-of-Age Story

By Behind the Mic | September 20, 2022

What Makes Things Go Right or Wrong For Novelists in Hollywood?

What Makes Things Go Right or Wrong For Novelists in Hollywood?

This Week on The Writers Institute Podcast, From the Archives of the New York State Writers Institute

By The Writers Institute | September 20, 2022

Black Skinheads and Kanye West: Reflecting on the Democratic Party As the Natural Political Home of African Americans

Black Skinheads and Kanye West: Reflecting on the Democratic Party As the Natural Political Home of African Americans

Brandi Collins-Dexter in Conversation with Andrew Keen on Keen On

By Keen On | September 20, 2022

A Defense of Aristocracy? How the American Morgenthau Dynasty Pursued an Ethic of Public Service

A Defense of Aristocracy? How the American Morgenthau Dynasty Pursued an Ethic of Public Service

Andrew Meier in Conversation with Andrew Keen on Keen On

By Keen On | September 20, 2022

How the Trapper Keeper Shaped a Generation of Writers

How the Trapper Keeper Shaped a Generation of Writers

Jess deCourcy Hinds on the Most Popular School Supply of All Time

By Jess deCourcy Hinds | September 19, 2022

Exploring Spaces Between Experiences and Stories: Rachel Aviv and Chloé Cooper Jones in Conversation

Exploring Spaces Between Experiences and Stories: Rachel Aviv and Chloé Cooper Jones in Conversation

The Author of Strangers to Ourselves Discusses Diagnoses, Introspection, and the Collaborative Process of Writing about Real People

By Chloé Cooper Jones | September 19, 2022

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    • Margot Douaihy's New York City MysteryJune 30, 2026 by Margot Douaihy
    • True Crime at the White House: The Most Ridiculous Burglary Plan in Presidential HistoryJune 30, 2026 by John A. Jenkins
    • Ghost-Eye
    • The Best Reviewed Books of the Week
    • "Strikingly em Ghost-Eye em has none of the eerie mood of a Gothic novel or…"
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