Literary Hub » Craft and Criticism

Jill Bialosky: The Time I Moved to New York City to Be a Poet

Jill Bialosky: The Time I Moved to New York City to Be a Poet

On Finding Meaning in Art and Work in the Big City

By Jill Bialosky | August 17, 2017

Scott McClanahan:

Scott McClanahan: "Most Fiction Feels Like a Bunch of Dumb Stories"

The Author of The Sarah Book in Conversation with April Ayers Lawson

By April Ayers Lawson | August 17, 2017

Hannah Tinti on Learning to Shoot a Gun for Literature

Hannah Tinti on Learning to Shoot a Gun for Literature

And the Artist's Job to Create Empathy

By Emily Temple | August 17, 2017

What Poetry Can Teach Us About Power

What Poetry Can Teach Us About Power

Political Poems Use Language in a Way Distinct from Rhetoric

By Matthew Zapruder | August 16, 2017

Fact, Fiction, and When a Novel Crosses the Line

Fact, Fiction, and When a Novel Crosses the Line

Joanna Scott on the Illusive Boundaries of Truth and Literature

By Joanna Scott | August 15, 2017

What Does it Mean When We Call a Key a

What Does it Mean When We Call a Key a "Slave"?

On the Power and Responsibility of Metaphor

By Peggy Shinner | August 14, 2017

Best Reviewed
Books of the Week

How to Write This Year’s “Definitive Novel” of the East Village in the 1980s

By Jarett Kobek | August 14, 2017

Katie Kitamura on Subverting Tropes in A Separation

By Emily Temple | August 14, 2017

Writing Just Enough Detail, But Not Too Much

By Daniel Galera | August 14, 2017

The Useful Dangers of Fairy Tales

The Useful Dangers of Fairy Tales

Because Sometimes the Wolf Shows Up Uninvited

By Amber Sparks | August 11, 2017

On Living, and Thinking, in Two Languages at Once

On Living, and Thinking, in Two Languages at Once

Camille Bordas on Bouncing Between French and English

By Camille Bordas | August 11, 2017

How Pickles Help Me Survive the Horrible, Wonderful Life of a Writer

How Pickles Help Me Survive the Horrible, Wonderful Life of a Writer

Danya Kukafka on Her One, True Love: A Good Pickle

By Danya Kukafka | August 11, 2017

On Nanni Balestrini, the Most Radically Formalist Poet of the Italian Scene

On Nanni Balestrini, the Most Radically Formalist Poet of the Italian Scene

Both a Literary witness in the Theater of Conflict and an Actor on the Stage

By Franco “Bifo” Berardi | August 11, 2017

How Much of Einstein's Theory of Relativity is in the Writing of Virginia Woolf?

How Much of Einstein's Theory of Relativity is in the Writing of Virginia Woolf?

Gabrielle Bellot on the Bloomsbury Writer's Fixation on Contemporary Science

By Gabrielle Bellot | August 10, 2017

Charlie Jane Anders on Writing the Future

Charlie Jane Anders on Writing the Future

When the Drone Strikes in Your Story Become the Drone Strikes in the Sky

By Emily Temple | August 10, 2017

Toward a New Climate Change Genre: First Impact Fiction

Toward a New Climate Change Genre: First Impact Fiction

Ashley Shelby: The Apocalypse is Now

By Ashley Shelby | August 9, 2017

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