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Margo Jefferson: ‘If I Can’t Find a Way to Do That... Why Am I Writing a Memoir?’

Margo Jefferson: ‘If I Can’t Find a Way to Do That... Why Am I Writing a Memoir?’

From the Thresholds Podcast, Hosted by Jordan Kisner

By Thresholds | January 27, 2021

Te-Ping Chen on Finding Moments of Magical Realism in China

Te-Ping Chen on Finding Moments of Magical Realism in China

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | January 27, 2021

<em>Reading Women</em>’s Most Anticipated Books of 2021

Reading Women’s Most Anticipated Books of 2021

(The First Half of the Year, That Is)

By Reading Women | January 27, 2021

Andy Borowitz on Political Satire After the Trump Administration

Andy Borowitz on Political Satire After the Trump Administration

In Conversation with Paul Holdengräber on The Quarantine Tapes

By The Quarantine Tapes | January 27, 2021

Joan Didion: Why I Write

Joan Didion: Why I Write

"I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means."

By Joan Didion | January 26, 2021

On the Ableist Attitudes That Framed V.C. Andrews as a Character in One of Her Novels

On the Ableist Attitudes That Framed V.C. Andrews as a Character in One of Her Novels

From the Lit Century Podcast with Sandra Newman
and Catherine Nichols

By Lit Century | January 26, 2021

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

How Do We Write About Political Crisis and Personal Conflict?

By Carys Davies | January 26, 2021

Jason Diamond Reads from
The Sprawl

By Storybound | January 26, 2021

Mateo Askaripour on Sorry to Bother You and Giving Up the Scarcity Mindset

By So Many Damn Books | January 26, 2021

What’s Behind the Label ‘Domestic Fiction’?

What’s Behind the Label ‘Domestic Fiction’?

Soledad Fox Maura on Rethinking Genre

By Soledad Fox Maura | January 25, 2021

What James Baldwin Taught Nikky Finney About the Poet’s Responsibility to the Living

What James Baldwin Taught Nikky Finney About the Poet’s Responsibility to the Living

In Conversation with Walter Mosley on The Quarantine Tapes

By The Quarantine Tapes | January 25, 2021

Writing a Saudi American Novel When No One Has Done It Before

Writing a Saudi American Novel When No One Has Done It Before

Eman Quotah on the Beginning of a Tradition

By Eman Quotah | January 25, 2021

Peter Ho Davies on Writing a Book That Hovers Between Fiction and Fact

Peter Ho Davies on Writing a Book That Hovers Between Fiction and Fact

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 25, 2021

The Troubled Task of Defining Southern Literature in 2021

The Troubled Task of Defining Southern Literature in 2021

Ed Tarkington Reckons with a Fraught Literary History

By Ed Tarkington | January 22, 2021

Why Should We Read Unfinished Novels?

Why Should We Read Unfinished Novels?

Matthew Redmond on Fragments of Edgar Allan Poe, Jane Austen, Charles Dickens, and More

By Matthew Redmond | January 22, 2021

Katrina vanden Heuvel: ‘A Great Nation Doesn’t Need to Boast’

Katrina vanden Heuvel: ‘A Great Nation Doesn’t Need to Boast’

In Conversation with Walter Mosley on The Quarantine Tapes

By The Quarantine Tapes | January 22, 2021

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    • "The Stephen King of His Time": Richard Matheson's Remarkable Career on Page and ScreenJanuary 9, 2026 by Keith Roysdon
    • 8 Cozy Mysteries Perfect for Middle Grade and Young Adult ReadersJanuary 9, 2026 by Taryn Souders
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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