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Ye Chun on Bilingualism and <em>Wuwei</em> Writing

Ye Chun on Bilingualism and Wuwei Writing

"Words did not flow. They were squeezed out and then staggered on the page without conviction."

By Ye Chun | October 17, 2023

Nothing is Lost in Translation: On Basque, Spanish, English and the Language of Dreams

Nothing is Lost in Translation: On Basque, Spanish, English and the Language of Dreams

Kirmen Uribe on Life and Literature Between Languages

By Kirmen Uribe | October 16, 2023

Fear of Indirect Contact: Todd Portnowitz on Translating Jhumpa Lahiri

Fear of Indirect Contact: Todd Portnowitz on Translating Jhumpa Lahiri

"We resent that there’s an interpretive element to translation."

By Todd Portnowitz | October 10, 2023

Why the Russian Protest Poems of Sergey Gandlevsky Still Matter Today

Why the Russian Protest Poems of Sergey Gandlevsky Still Matter Today

Phillip Metres on Political Literature, Classical Forms, and What Outsiders Get Wrong About Russian Poetry

By Philip Metres | October 10, 2023

Derangement and Estrangement: On Poetic Turbulence in Translation

Derangement and Estrangement: On Poetic Turbulence in Translation

Joyelle McSweeney Considers Hussein Barghouthi's The Blue Light and Kim Hyesoon's Phantom Pain Wings

By Joyelle McSweeney | October 9, 2023

Pedro Páramo">Pedro Páramo">

Pedro Páramo">"Bitterness Incarnate:" Douglas J. Weatherford on Juan Rulfo's Pedro Páramo

"The text vacillates between presence and absence, between reality and irreality, and even between life and death."

By Douglas J. Weatherford | September 27, 2023

Best Reviewed
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  • Glyph
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  • Dog Days

Drifting Along the Current: On the 10th Anniversary of Self-Portrait in Green

By Jordan Stump | September 12, 2023

On Translating Michele Mari, an Italian Literary "Living Legend"

By Brian Robert Moore | August 9, 2023

In Praise of "Spicy Interpretation": On the Pleasure of Unexpected Translations and Explanations

By Jessica Sequeira | August 4, 2023

The Unique Challenges of Translating <em>The Brothers Karamazov</em> Into English

The Unique Challenges of Translating The Brothers Karamazov Into English

Michael R. Katz on Creating the First New Translation of Dostoevsky’s Novel in Two Decades

By Michael R. Katz | July 21, 2023

How Syrian Writer Khaled Khalifa Navigates Exile Abroad and At Home

How Syrian Writer Khaled Khalifa Navigates Exile Abroad and At Home

Alfred J. Naddaff Spends 72 Hours in Zurich With the Chronicler of Modern Syria

By Alfred J. Naddaff | July 18, 2023

The Complicated Afterlives of <br>Roberto Bolaño

The Complicated Afterlives of
Roberto Bolaño

Twenty Years After His Death, Aaron Shulman Unpacks the Legacy of the Chilean Poet and Novelist

By Aaron Shulman | July 17, 2023

What Vera Mutafchieva’s <em>The Case of Cem</em> Tells Us About Europe’s Past and Present

What Vera Mutafchieva’s The Case of Cem Tells Us About Europe’s Past and Present

Angela Rodel on Translating a 20th-Century Bulgarian Classic

By Angela Rodel | June 23, 2023

A Babel of Languages: Peter Constantine on the Joys of Translation and Multilingual Writing

A Babel of Languages: Peter Constantine on the Joys of Translation and Multilingual Writing

Esther Allen Speaks with the Author of The Purchased Bride

By Esther Allen | June 8, 2023

Like a Magic Trick: Tim Mohr on Being the Translator and Being Translated

Like a Magic Trick: Tim Mohr on Being the Translator and Being Translated

On the intersection of German translation, East Bloc punk rock, and Hunter S. Thompson

By Tim Mohr | May 15, 2023

The Rebel Vocabulary of Ágota Kristóf

The Rebel Vocabulary of Ágota Kristóf

Helen Oyeyemi on Kristóf's memoir The Illiterate

By Helen Oyeyemi | May 4, 2023

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    • How to Recreate the Techniques of Horror Films in a NovelJune 2, 2026 by Claire Fuller
    • The Men Who Sold the Long-Lost Treasures of Cambodia's Khmer EmpireJune 2, 2026 by Matthew Campbell
    • Co-Writing a Cold War Thriller With My Father – Forty Years After His DeathJune 2, 2026 by Beau L'Amour
    • The Things We Never Say
    • The Best Reviewed Books of the Month
    • "As usual Strout manages to create scenes of intense intimacy in prose that feels as…"
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