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Sarah Ruhl: Why We Should Love Imperfection and Asymmetry

Sarah Ruhl: Why We Should Love Imperfection and Asymmetry

On Just the Right Book with Roxanne Coady

By Just the Right Book | January 13, 2022

WATCH: Cynthia Dewi Oka and Jenny Zhang on Writing and Honoring the Unassimilable

WATCH: Cynthia Dewi Oka and Jenny Zhang on Writing and Honoring the Unassimilable

Hosted by Greenlight Bookstore

By The Virtual Book Channel | January 13, 2022

Paul Lisicky and Terese Marie Mailhot on the Long-Term Mental Health Effects of the Pandemic

Paul Lisicky and Terese Marie Mailhot on the Long-Term Mental Health Effects of the Pandemic

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | January 13, 2022

A Beautiful Sadness: On the People and Places That Will Forever Haunt Us

A Beautiful Sadness: On the People and Places That Will Forever Haunt Us

Hanna Lillith Assadi Tells the Story of Her Grandmother’s Life

By Hannah Lillith Assadi | January 13, 2022

Claire Messud on Getting to Know Your Characters

Claire Messud on Getting to Know Your Characters

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | January 13, 2022

A Personal Catalogue of the World’s Most Storied Bookstores

A Personal Catalogue of the World’s Most Storied Bookstores

Kerri Maher on the Shops That Comprise Her Writing DNA, from Marcus Bookstore to The Strand

By Kerri Maher | January 12, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

Jabari Asim on Decolonized Souls, Black Love, and Writing the Past

By Jane Ciabattari | January 12, 2022

What Makes The Princess Bride Such a Great Movie?

By Chris Jones | January 11, 2022

Why Do We Return to the Greek Myths Again and Again?

By Literary Hub | January 11, 2022

The Creative Power of Rage: On Fictionalizing the Lives of Righteously Violent Historical Women

The Creative Power of Rage: On Fictionalizing the Lives of Righteously Violent Historical Women

Gwen E. Kirby on Her Literary “Stabby Period”

By Gwen E. Kirby | January 11, 2022

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Featuring Sequoia Nagamatsu, Weike Wang, and More

By Teddy Wayne | January 11, 2022

“It Turned Out That It’s Possible.” Lejla Kalamujić on Being Openly Gay in Sarajevo

“It Turned Out That It’s Possible.” Lejla Kalamujić on Being Openly Gay in Sarajevo

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | January 11, 2022

Vision Quest: On Trying to Define the Great American Novel

Vision Quest: On Trying to Define the Great American Novel

Jonathan Evison Considers the Literary Canon and His Latest Work of Historical Fiction

By Jonathan Evison | January 10, 2022

How Jean Hanff Korelitz Learned to Create Tension and Suspense on the Page

How Jean Hanff Korelitz Learned to Create Tension and Suspense on the Page

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 10, 2022

My Hoodie is My Office: Antoine Wilson on What He Needs to Write

My Hoodie is My Office: Antoine Wilson on What He Needs to Write

How the Author of Mouth to Mouth Shuts Out the World

By Antoine Wilson | January 7, 2022

Xochitl Gonzalez on the Emotional Toll of Success

Xochitl Gonzalez on the Emotional Toll of Success

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | January 6, 2022

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Page 147 of 261
    • Thinking Outside the Cop: Using Game Wardens in Crime FictionJanuary 13, 2026 by Sarah Crouch
    • Make Our Villains Gayer, Please: Reclaiming the Trope of Queer-Coded AntagonistsJanuary 13, 2026 by Isha Raya
    • Ross Montgomery on Researching Profanity, Halley's Comet, and Writing Historical FictionJanuary 13, 2026 by Alex Dueben
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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