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Claire Messud on Getting to Know Your Characters

Claire Messud on Getting to Know Your Characters

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | January 13, 2022

A Personal Catalogue of the World’s Most Storied Bookstores

A Personal Catalogue of the World’s Most Storied Bookstores

Kerri Maher on the Shops That Comprise Her Writing DNA, from Marcus Bookstore to The Strand

By Kerri Maher | January 12, 2022

Jabari Asim on Decolonized Souls, Black Love, and Writing the Past

Jabari Asim on Decolonized Souls, Black Love, and Writing the Past

The Author of Yonder Speaks With Jane Ciabattari

By Jane Ciabattari | January 12, 2022

What Makes <em>The Princess Bride</em> Such a Great Movie?

What Makes The Princess Bride Such a Great Movie?

Chris Jones on Stories That Defy Labels

By Chris Jones | January 11, 2022

Why Do We Return to the Greek Myths Again and Again?

Why Do We Return to the Greek Myths Again and Again?

Charlotte Higgins and Stacey Swann on the Perpetual Relevance of the Classics

By Literary Hub | January 11, 2022

The Creative Power of Rage: On Fictionalizing the Lives of Righteously Violent Historical Women

The Creative Power of Rage: On Fictionalizing the Lives of Righteously Violent Historical Women

Gwen E. Kirby on Her Literary “Stabby Period”

By Gwen E. Kirby | January 11, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

By Teddy Wayne | January 11, 2022

“It Turned Out That It’s Possible.” Lejla Kalamujić on Being Openly Gay in Sarajevo

By Otherppl with Brad Listi | January 11, 2022

Vision Quest: On Trying to Define the Great American Novel

By Jonathan Evison | January 10, 2022

How Jean Hanff Korelitz Learned to Create Tension and Suspense on the Page

How Jean Hanff Korelitz Learned to Create Tension and Suspense on the Page

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 10, 2022

My Hoodie is My Office: Antoine Wilson on What He Needs to Write

My Hoodie is My Office: Antoine Wilson on What He Needs to Write

How the Author of Mouth to Mouth Shuts Out the World

By Antoine Wilson | January 7, 2022

Xochitl Gonzalez on the Emotional Toll of Success

Xochitl Gonzalez on the Emotional Toll of Success

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | January 6, 2022

Brooklyn Is Where the Heart Is: On Leaving Home to Write About It

Brooklyn Is Where the Heart Is: On Leaving Home to Write About It

Xochitl Gonzalez Considers the Power of Memory in Creating Literary Detail

By Xochitl Gonzalez | January 6, 2022

WATCH: Amy Leach and Eula Biss on Our Interconnected World

WATCH: Amy Leach and Eula Biss on Our Interconnected World

Hosted by Greenlight Bookstore

By The Virtual Book Channel | January 6, 2022

Lou Mathews on Studying with the Great Raymond Carver (During Carver's Drinking Days)

Lou Mathews on Studying with the Great Raymond Carver (During Carver's Drinking Days)

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | January 6, 2022

Learning, Practice, and Repetition: Why the Act of Writing Is Work

Learning, Practice, and Repetition: Why the Act of Writing Is Work

Jessie Greengrass on the Intersection of Muse and Routine

By Jessie Greengrass | January 5, 2022

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Page 147 of 261
    • "The Stephen King of His Time": Richard Matheson's Remarkable Career on Page and ScreenJanuary 9, 2026 by Keith Roysdon
    • 8 Cozy Mysteries Perfect for Middle Grade and Young Adult ReadersJanuary 9, 2026 by Taryn Souders
    • The Most Anticipated Crime Novels, Mysteries, and Thrillers of 2026January 8, 2026 by Molly Odintz
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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