Literary Hub » Craft and Advice

Writing Grief in Fiction is a Work of Love

Writing Grief in Fiction is a Work of Love

Onyi Nwabineli on Giving Sorrow the Space to Grow and Expand

By Onyi Nwabineli | November 10, 2022

Stuck on Your Novel? Try Baking a Pie!

Stuck on Your Novel? Try Baking a Pie!

Amy Wallen on the Joy of Completing Something Creative

By Amy Wallen | November 10, 2022

Funny, Fearless, and Unafraid to Fail: Finding Creative Inspiration in Comedy Podcasts

Funny, Fearless, and Unafraid to Fail: Finding Creative Inspiration in Comedy Podcasts

Rebecca Ackermann on Learning to Write to a Soundtrack of Riffing Comedians

By Rebecca Ackermann | November 10, 2022

Sandra Simonds on Piecing Together Poetic Puzzles

Sandra Simonds on Piecing Together Poetic Puzzles

Peter Mishler Talks with the Author of Triptychs

By Peter Mishler | November 10, 2022

Live at the Red Ink Series: On Avoidance

Live at the Red Ink Series: On Avoidance

Featuring Sarah Thankam Mathews, Elissa Bassist, Melissa Lozada-Oliva, Sari Botton, and Kayla Maiuri

By Michele Filgate | November 10, 2022

Alex Marzano-Lesnevich on Gender Identity and Narratives Drawn from the Body

Alex Marzano-Lesnevich on Gender Identity and Narratives Drawn from the Body

In Conversation with Jordan Kisner on Thresholds

By Thresholds | November 10, 2022

Best Reviewed
Books of the Week

On Self-Reflection, Stories, and and What Mirrors Really Tell Us

By Sarah Fawn Montgomery | November 10, 2022

How to Write a Novel with Three of Your Friends

By Kevin Alexander, Joe Keohane, and Alessandra Lusardi | November 9, 2022

The Art of Adaptation: Camille DeAngelis and David Kajganich on Taking Bones and All from Page to Screen

By Literary Hub | November 9, 2022

Meet the 2022 National Book Award Finalists

Meet the 2022 National Book Award Finalists

Rapid-Fire Interviews with Some of Our Best Writers and Translators

By Emily Temple | November 9, 2022

“Let That Dream Die.“ On Watching Tennis and (Actually) Becoming the Best Writer You Can Be

“Let That Dream Die.“ On Watching Tennis and (Actually) Becoming the Best Writer You Can Be

Veronica Roth’s Argument for Embracing the Unknown

By Veronica Roth | November 9, 2022

Lynn Steger Strong: “Oh, Shit. I Wrote a Domestic Novel. I’m a Woman. What Did I Do?”

Lynn Steger Strong: “Oh, Shit. I Wrote a Domestic Novel. I’m a Woman. What Did I Do?”

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | November 9, 2022

Alia Trabucco Zerán on Writing About Women Who Kill

Alia Trabucco Zerán on Writing About Women Who Kill

“Their crimes are a privileged window from which to observe how the very meaning of womanhood has changed over time.”

By Alia Trabucco Zerán | November 9, 2022

Why “Writing” Has Nothing to Do With Being a “Writer”

Why “Writing” Has Nothing to Do With Being a “Writer”

Eduardo Halfon in Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2022

A Strange and Uncomfortable Coupling: My Summer of Susan Faludi and Karl Ove Knausgaard

A Strange and Uncomfortable Coupling: My Summer of Susan Faludi and Karl Ove Knausgaard

Lynn Steger Strong on the Power of the Narratives We Build Around Narratives

By Lynn Steger Strong | November 8, 2022

On <em>Harold of the Purple Crayon</em> and the Value of an Imaginative Journey

On Harold of the Purple Crayon and the Value of an Imaginative Journey

Ross Ellenhorn Considers the Lessons and History of Crockett Johnson’s Classic

By Ross Ellenhorn | November 8, 2022

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