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Teaching Writing to Children with Autism While in the Grip of Anxiety

Teaching Writing to Children with Autism While in the Grip of Anxiety

Sarah Fay on Navigating Not One But Two Entries in the DSM

By Sarah Fay | March 24, 2022

On Embracing the Halting, Neurotic, Defiant Ways We Talk

On Embracing the Halting, Neurotic, Defiant Ways We Talk

Sara Lippmann’s Manifesto for Sounding—and Writing—Like Yourself

By Sara Lippmann | March 23, 2022

No One Exists Alone: Mike Meginnis on the Importance of Relationships in Fiction

No One Exists Alone: Mike Meginnis on the Importance of Relationships in Fiction

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | March 23, 2022

The Challenges of Placing Real Art in Fictional Stories

The Challenges of Placing Real Art in Fictional Stories

Joe Mungo Reed on “Borrowed Scenery”

By Joe Mungo Reed | March 23, 2022

Daniel A. Olivas Reads an Excerpt from <em>How to Date a Flying Mexican</em>

Daniel A. Olivas Reads an Excerpt from How to Date a Flying Mexican

On Storybound, Our Radio-Theater Podcast

By Storybound | March 23, 2022

Karen Joy Fowler on Decentering John Wilkes Booth in a Novel About His Family

Karen Joy Fowler on Decentering John Wilkes Booth in a Novel About His Family

The Author of Booth Talks to Jane Ciabattari

By Jane Ciabattari | March 22, 2022

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

72 Hours in Philly: The Writers’ Guide to AWP 2022

By Literary Hub | March 22, 2022

When People Assume Your Fiction is About Your Life

By Alejandro Varela | March 22, 2022

“I wish you a sexy, dangerous, jazz-shaped immortality.“ Diane Seuss’s Advice for Life as a Writer

By Diane Seuss | March 21, 2022

The Mermaid, C'est Moi: Rewriting the Story of a Universal Myth

The Mermaid, C'est Moi: Rewriting the Story of a Universal Myth

Monique Roffey on Creating a Feminist Version of a Male Fantasy

By Monique Roffey | March 21, 2022

Why Having a Baby Led Evie Wyld to More Perilous Stories

Why Having a Baby Led Evie Wyld to More Perilous Stories

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 21, 2022

Garth Greenwell on Writing Fiction like a Poet

Garth Greenwell on Writing Fiction like a Poet

"I did, in a weird way, write a novel like a poem."

By Garth Greenwell | March 18, 2022

Why Romance Needs Its Tropes: A Defense

Why Romance Needs Its Tropes: A Defense

India Holton on the Joy and Universality of an Oft-Derided Genre Staple

By India Holton | March 18, 2022

Why Center Historical Fiction on a Real-Life Person?

Why Center Historical Fiction on a Real-Life Person?

Tania Bayard in Conversation with C. P. Lesley on the New Books Network

By New Books Network | March 18, 2022

WATCH: NoViolet Bulawayo in Conversation with Novuyo Tshuma

WATCH: NoViolet Bulawayo in Conversation with Novuyo Tshuma

Hosted by Greenlight Bookstore

By The Virtual Book Channel | March 17, 2022

Terese Marie Mailhot on What Book Royalties Can’t Buy

Terese Marie Mailhot on What Book Royalties Can’t Buy

“Money doesn’t bring people back, but I thought it could keep some people here.”

By Terese Marie Mailhot | March 16, 2022

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Page 140 of 262
    • New Series to Watch this WeekendJanuary 16, 2026 by Olivia Rutigliano
    • Novelist Van Jensen Talks with His Mother, Acclaimed Painter Jean Jensen, About Art, Literature, and FamilyJanuary 16, 2026 by Van Jensen
    • The Historical Implications and Fictional Possibilities of the Hindenberg DisasterJanuary 16, 2026 by L. A. Chandlar
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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