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How to Live in Nature: S.L. Coney, Ruthanna Emrys, and Alexis Pauline Gumbs

How to Live in Nature: S.L. Coney, Ruthanna Emrys, and Alexis Pauline Gumbs

Tor Presents: Voyage Into Genre S03E03

By Tor Presents: Voyage into Genre | September 6, 2023

Richard Powers on How to Reconnect with Earth

Richard Powers on How to Reconnect with Earth

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | September 6, 2023

“Code words to say what can’t be said”: James Hannaham Talks to a Writer in Solitary Confinement

“Code words to say what can’t be said”: James Hannaham Talks to a Writer in Solitary Confinement

Kwaneta Harris and James Hannaham on Queerness and the Silencing of the Incarcerated

By Moira Marquis | September 5, 2023

The Beauty of Physical Encounters with Rare Books

The Beauty of Physical Encounters with Rare Books

Kathleen B. Jones on How Touch to Brought Her Novel to Life

By Kathleen B. Jones | September 5, 2023

David van den Berg on Seeing the Darkness

David van den Berg on Seeing the Darkness

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | September 5, 2023

Lisa Leshne Offers Agent Insights

Lisa Leshne Offers Agent Insights

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | September 5, 2023

Best Reviewed
Books of the Week

  • Permanence
  • No Way Home
  • Muskism: A Guide for the Perplexed
  • Small Town Girls: A Writer's Memoir
  • Last Night in Brooklyn
  • If This Be Magic: The Unlikely Art of Shakespeare in Translation

Alicia Kennedy on Navigating the Thorny Terrain of Food Writing

By Alicia Kennedy | September 1, 2023

A Reading List of Realistic Portraits of Mothers and Daughters in Literature

By Jill Talbot | September 1, 2023

What Does It Mean to Write after Having Children?

By Lightsey Darst | August 31, 2023

Hilary Leichter on Time and Re-Reading

Hilary Leichter on Time and Re-Reading

In Conversation with Maris Kreizman on The Maris Review

By The Maris Review | August 31, 2023

Why the Rise of Morally Gray Women In Fiction Is Good For All of Us

Why the Rise of Morally Gray Women In Fiction Is Good For All of Us

Megan Barnard on the Deliciously Unlikable Yet Complex Female Protagonist

By Megan Barnard | August 30, 2023

Apocalypse Now: Why It’s Cathartic To Read About the End of the World

Apocalypse Now: Why It’s Cathartic To Read About the End of the World

Yume Kitasei on Reading and Writing Through Ongoing Catastrophe

By Yume Kitasei | August 30, 2023

The Real-Life Poetry of Gardening

The Real-Life Poetry of Gardening

Tess Taylor on the Ancient Genre of Garden Poems and the Connective Power of Working with Plants

By Tess Taylor | August 29, 2023

Megan Kamalei Kakimoto On The Many Ways To Tell a Hawaiian Story

Megan Kamalei Kakimoto On The Many Ways To Tell a Hawaiian Story

"The only way to dismantle the perception of a monolithic Hawaiian experience is to uplift a multitude of Hawaiian stories"

By Megan Kamalei Kakimoto | August 29, 2023

Anne Lamott on Starting Where You Are

Anne Lamott on Starting Where You Are

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | August 29, 2023

Daniel Hornsby on the Charisma of a First-Person Narrator

Daniel Hornsby on the Charisma of a First-Person Narrator

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | August 29, 2023

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Page 102 of 338
    • How Some Crime Writers Are Finding a New Path to PublishingMay 1, 2026 by Keith Roysdon
    • Lynn Cahoon on Choosing Whether to Set Cozies in Real or Fictional PlacesMay 1, 2026 by Lynn Cahoon
    • MWA Announces the 2026 Edgar Award WinnersApril 30, 2026 by CrimeReads
    • Permanence
    • The Best Reviewed Books of the Week
    • "Mackintosh has a spare and confident hand Her work is sometimes described as dreamlike certainly…"
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