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Literary Criticism
My Book of Men: On the Poetry of Survival
Testimony is Not the Only Way to Speak of Sexual Violence
By
Liz Bowen
| July 18, 2018
What Can We Salvage of Objectivity?
From the Introduction to Michiko Kakutani's
The Death of Truth
By
Michiko Kakutani
| July 17, 2018
The 100 Best One-Star Reviews of
The Catcher in the Rye
"If I had written this book, I would have gone into hiding too"
By
Emily Temple
| July 16, 2018
Watching
The Handmaid's Tale
While Transitioning
Veronica Esposito on Encountering Misogyny in a New Way
By
Veronica Esposito
| July 16, 2018
Forget Zorro: Joaquín Murieta is the Outlaw-Hero We Need
Diana Gabaldon on a Neglected Classic by John Rollin Ridge
By
Diana Gabaldon
| July 16, 2018
How Can Fiction Predict a Future That's Already Happening?
Andromeda Romano-Lax on the Real Stakes of Speculative Fiction
By
Andromeda Romano-Lax
| July 13, 2018
Best Reviewed
Books of the Week
Why I Added, Then Deleted, Trump from My Novel
By
Andrew Martin
| July 10, 2018
Not Everyone Loves Proust
By
Emily Temple
| July 10, 2018
Lyn Hejinian: Everything is Imminent in Anything
By
Lyn Hejinian
| July 5, 2018
Holden Caulfield: Egotistical Whiner or Melancholy Boy Genius?
From Jesus-Figure to Incestuous Impulses, 13 Critics Weigh In
By
Emily Temple
| July 2, 2018
Will a Woman Writer Win Italy's Strega Prize This Year?
Since First Awarded in 1947, Only 10 Women Have Won It
By
Jeanne Bonner
| July 2, 2018
Why James Baldwin Went to the South and What It Meant to Him
"Everybody Else was Paying Their Dues, and it was Time I Went Home and Paid Mine"
By
Ed Pavlić
| June 29, 2018
The Enduring Enigma of Véra Nabokov
Why We Can't Stop Trying to Figure Her Out, in Fiction and Biography
By
Miranda Popkey
| June 28, 2018
Why We Love—and Need to Leave Behind—Dead Girl Stories
"The Way We Tell Them Gives Us Permission to Look Away from Obvious Patterns"
By
Kristen Martin
| June 27, 2018
Richard Flanagan on Social Media and the Death of a Private Life
In an Ever More Conformist Age, Reading is a Subversive Act
By
Richard Flanagan
| June 21, 2018
A Close Reading of the 'Censored' Passages of
The Picture of Dorian Gray
"Basil Only Likes Dorian as a Friend, We Promise!"
By
Emily Temple
| June 20, 2018
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Page 317 of 350
Thinking Outside the Cop: Using Game Wardens in Crime Fiction
January 13, 2026
by
Sarah Crouch
Make Our Villains Gayer, Please: Reclaiming the Trope of Queer-Coded Antagonists
January 13, 2026
by
Isha Raya
Ross Montgomery on Researching Profanity, Halley's Comet, and Writing Historical Fiction
January 13, 2026
by
Alex Dueben
The Best Reviewed Books of the Week
"Poignant Tender The final line of em The Rest of Our Lives em is by…"