Amitava Kumar: How Can You Write Fiction That Fights Fake News?
“A novel often serves as a site of contention for different viewpoints.”
Hanging Out With Joan Didion: What I Learned About Writing From an American Master
Sara Davidson on the Ten Lessons She Learned
How Writing “Vengeful Fiction” Can Make You a Better Person
Jocelyn Nicole Johnson on Finding Empathy in Writing and Putting Anger to Good Use
The New Climate Fiction: Grappling with the Weight of Collapse
Emma Dries on the Limitations of Fragmentary Narrative to Portray a Fragmenting World
On Racial Injustice and the False Promise of Police Reforms
Derecka Purnell Unpacks the Drive to Seek Justice
Palindromes and Rooftop Iguanas: Readings by David Naimon, Victoria Buitron, and Aimee Bender
Introducing Micro, a Podcast That Elevates Small Works with Big Voices
Myriam J.A. Chancy on Writing Haiti and Honoring Its Local Realities
Jane Ciabattari Talks to the Author of What Storm, What Thunder
Nato Thompson on Approaching Art as a Life Project
In Conversation with Paul Holdengräber The Quarantine Tapes
How the Killing of George Floyd Reflects America’s Repeated History of Racism and Police Brutality
Curtis Bunn on the Black Lives Matter Movement, the Watts Riots, and the City as Powder Keg
In Search of My Family’s Faroese Stories
Siri Ranva Hjelm Jacobsen on Grief and Finding One’s Culture
Literary Disco Goes Back to School with Poet and Teacher Bree Rolfe
On the Syllabus: Jamaica Kincaid, Roddy Doyle, and Assaf Gavron
The Turnout by Megan Abbott, Read by Cassandra Campbell
A Dark, Compelling Tale of Family and Deception
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