Deep in the Literary Journal Archives: Poetry That Takes Risks and Takes Up Space
Nick Ripatrazone Looks Back at The American Poetry Review, Pleiades, and The Hudson Review
“It’s Kind of Embarrassing to Admit the Depth of My Obsession” Ashley Hutson on Watching Three’s Company and Writing Her Novel
In Conversation with Christopher Hermelin on So Many Damn Books
Do the Oscars Have a Future in an Age of Superhero Sequels and Prequels?
Bruce Davis in Conversation with Andrew Keen on Keen On
Friends Lovers and the Big Terrible Thing by Matthew Perry, Read by Matthew Perry
The Actor Shares Difficult Truths
Maryse Meijer on Training to Be a Bullfighter (Who Will Never Fight Bulls)
Introducing When I’m Not Writing, a Series About Writers and Their Hobbies
Finding Comfort and Escape in Marcella Hazan’s Essentials of Classic Italian Cooking
A. Cerisse Cohen on the Lessons of a Great Bolognese
On Women Talking and the Unreliable Narrators of Post-MeToo Literature
Can Sarah Polley’s Film Adaptation Capture Miriam Toews’s Feat of Storytelling?
How Dogs Explore the World Through Smell
Jules Howard Considers the Role of the Senses in Animal Consciousness
Elizabeth McCracken on Grieving Her Mother Through Writing
In Conversation with Mitzi Rapkin on the First Draft Podcast
Tracing Bong Joon Ho’s Rise to Fame, from Secret Government Blacklist to Making Oscars History
Karen Han on the Films That Made a (Cheeky) Star
Robin Wall Kimmerer: Reimagining Currencies of Exchange Through Indigenous Wisdom
This Week from the Emergence Magazine Podcast
Paul Lafargue on the Spectacle of Victor Hugo’s Funeral
“The most magnificent funeral of the century.”
On Preserving the Lenape Language (and Trying to Get Face Time with an NYC Mayor)
Margie Cook in Conversation with Preservationist Jim Rementer
Read “Autumn Night,” From Lu Xun’s Experimental Prose Collection Wild Grass and Morning Blossoms Gathered at Dusk
Translator Eileen J. Cheng Introduces the Late Writer's “Brilliant, Imaginative Masterpieces”
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