“A Love Letter”
Greg Ames
“Here’s what I know: life is short and life is long. Allow me to explain.”
Eve Ewing on Education, Institutions, and Alternative Models of Poetry
"The Primary Audience of My Book is First and Foremost Black Teen Girls"
Jane Austen’s Emma Was Basically Torn Apart in Workshop
On the Early Reception of a Classic Novel, on Both Sides of the Atlantic
The Case That Got Away: Introducing the Sly Noir of A Yi
From the New Issue of Freeman's: Future of New Writing
Katherine Mansfield on the Thrilling Joy of Creation
"When you paint apples do you feel that your breasts
and your knees become apples, too?"
The Little-Known Friendships of Iconic Women Writers
Why Have They Been Mythologized as Solitary Eccentrics or Isolated Geniuses?
Herbert Hoover, Frustrated Playwright
How He Sought to Bring the Figure of the Mining Engineer to the Stage
137 Writers and the Words They’re Best Known For
Kaveh Akbar Presents a Crowdsourced List of Signature Literary Words
5 Books Making News This Week: Putin, the Nobel, and the Greatest
Masha Gessen, Kasuo Ishiguro, Jonathan Eig, and More
On Creating a New Imprint’s First Ever Cover: Jenny Zhang’s Sour Heart
Secrets of the Book Designer: Rachel Ake Starts Things Off for Lenny
How Shirley Jackson Makes Us Lose Our Minds
Ottessa Moshfegh on Insanity, Mistaken Identity, and the Dark Tales
“Diversity in Publishing” Doesn’t Exist—But Here’s How it Can
Chris Jackson On How to Anchor an Abstract Question in Reality
Writing Middle-Aged Love
"There’s Comfort in Recognizing Us as Unremarkable, Part of the Big Wheel of Life"
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