When the Highest Paid Hollywood Director Was a Woman
Unforgetting Lois Weber, Master of the Silent Film Era
“Alice”
Maryse Meijer
"Friday nights used to be Steak Nights. Exactly ten ounces of prime rib for me, eight for Wendy, six for our daughter Alice. Other nights we had fish and green vegetables, tofu and brown rice; but Friday was about flesh and blood."
Simpler Times: Janet Malcolm at Jon Stewart and Stephen Colbert’s Rally to Restore Sanity
On the Conflation of Liberal Comedy and Political Organization
The Crucial Role of the Sidekick in Can You Ever Forgive Me?
Ahead of the Oscars Ben Rybeck Previews the Best Adapted Screenplay Nominees
After Carrie Kinsey’s Letter to Theodore Roosevelt
A Poem from Shane McCrae's Collection The Gilded Auction Block
Brit Bennett and Emily Halpern on Screenwriting’s Tips for Fiction
With Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction
Charlie Jane Anders on World-Building and the Perils of Allegory
With Christopher Hermelin and Drew Broussard on So Many Damn Books
Announcing the Third Annual Honey & Wax Book Collecting Prize
Awarded to an Outstanding Book Collection Built by a Young Woman
Valeria Luiselli on Freedom, First Love, and Mayan Ruins
"I've Always Wanted to Ask Interviewers How They Come Up with Their Questions"
Tigers Don’t Eat Humans, So Why Did This One Kill Over 400 People?
Deforestation, Poaching, and White People
Created the Man-Eater of Champawat
Eula Biss: “A book I can’t defend, a book I can’t renounce.”
Reflections on a Book and a Decade of Whiteness
BlacKkKlansman: Antiracist Callout Disguised as a Feel-Good Cop Movie
Ahead of the Oscars Ben Rybeck Previews the Best Adapted Screenplay Nominees
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