On the Labels Attached to Friday Black and the Booksellers Responsible for its Success
Nana Kwame Adjei-Brenyah on The Literary Life with Mitchell Kaplan
Trying to Convince Jeff Jarvis the Internet is Bad for Democracy
The Author of What Would Google Do in Conversation
with Andrew Keen
Billy Kahora on Binyavanga Wainaina’s Groundbreaking Work
"Nothing was impossible for a writer like him."
Kim Adrian on Listening to What Our Nonfiction Is Trying to Tell Us
The Endless Difficulty of Marrying Form and Content
On Cora Crane and the Literary Women Who Prop Up Literary Men
In Celebration of a Writer, Bill-Payer, and Bordello Owner
Scent and Sensibility: 5 Olfactory Novels
Erica Bauermeister on That Most Underrated of Literary Senses
Hilary Plum on Terrorism, Autoimmune Disease, and Blurring the Self/Other Line
In Conversation with Eric LeMay on the New Books Network
Who Were the Geniuses Who First Domesticated the Wild Honey Bee?
Large Baskets and a Whiff of Smoke Went a Long Way
Struggling to Mine Family History for My Novel
Roxana Robinson on Capturing Her Great-grandfather in Fiction
Dark Constellations
Pola Oloixarac
"The key to successful technology consists of convincing addicts that the future’s heart beats within it, that its mere existence entails the inexorable dissolution of their enemies. In principle, its users are born different from one another, but soon they begin to resemble one another so much that in the end they cease to exist as individuals. Only by collaborating with the invasion can they survive."
What Happens When You Pose as Susan Sontag on Twitter?
Rebecca Brill on Inhabiting the Diaries of a Great Mind
20 Ways to Be a Great Literary Citizen, According to Gottfried Wilhelm Leibniz
Advice on dealing with envy, gout, and rivals you'd like to put to death
Ryan Chapman on Stolen Ideas and How Dark Your Comedy Can Go
The Author of Riots I Have Known in Conversation with Maris Kreizman
Real or Fake? Stuck in the Glitching Reality of Contemporary America
Laurence Scott on Orrin Hatch's Glasses
(and the Philosophical Problem of the Real)
Kevin Powers on an Unsung Classic of American
Nature Writing
Why John Graves’ Goodbye to a River Deserves an
Audience Beyond Its Texan Landscapes
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