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Eating is Storytelling: Ruby Tandoh on Turning Meals into Memories

Eating is Storytelling: Ruby Tandoh on Turning Meals into Memories

“It’s about engaging all of your senses, and letting food, body, craving and daydream all bleed into one.”

By Ruby Tandoh | July 13, 2022

When Writing Becomes Traumatic: Reporting on the Jonestown Massacre

When Writing Becomes Traumatic: Reporting on the Jonestown Massacre

Julia Scheeres on the Things She Saw (and the Toll They Took)

By Julia Scheeres | July 13, 2022

What Culture Shock Taught Me About Sci-Fi and Fantasy Storytelling

What Culture Shock Taught Me About Sci-Fi and Fantasy Storytelling

Alex Jennings on the Experience of Otherness, and Learning to Ask Questions

By Alex Jennings | July 13, 2022

Seán Hewitt on Taking Refuge in <em>The Legend of Zelda</em>

Seán Hewitt on Taking Refuge in The Legend of Zelda

"That pixelated landscape holds an electric key to my mind: it is able to renew my sense of wonder"

By Seán Hewitt | July 12, 2022

Fantasy vs. Reality: When the Muse Finally Speaks

Fantasy vs. Reality: When the Muse Finally Speaks

Antonia Angress on Seeing and Being Seen In Art and Real Life

By Antonia Angress | July 12, 2022

On the Personalization of Craft; Or, We’re All Going to Die Soon Anyway

On the Personalization of Craft; Or, We’re All Going to Die Soon Anyway

Diksha Basu Wonders What We Really Mean by “Writing Rules”

By Diksha Basu | July 11, 2022

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

In Praise of Poet Voice

By Dan O'Brien | July 11, 2022

Calculating Losses: How to Close a High School Library for Summer Vacation 

By Jess deCourcy Hinds | July 8, 2022

Repeat After Me: “I Am Not the Great American Novelist.”

By Michael Bourne | July 8, 2022

Visions of Jane Eyre: On Mothers, Labor, and the Places Children Hide

Visions of Jane Eyre: On Mothers, Labor, and the Places Children Hide

these are my children or this is my country, but we’re only fooling ourselves."">Lesley Jenike: "We might say these are my children or this is my country, but we’re only fooling ourselves."

By Lesley Jenike | July 8, 2022

Ashley C. Ford: If “Kids Are the Future,” Why Don’t We Act Like it?

Ashley C. Ford: If “Kids Are the Future,” Why Don’t We Act Like it?

In Conversation with Jordan Kisner on Thresholds

By Thresholds | July 6, 2022

You Can’t Choose Your Influences: On the Unexpected Book That Made Me a Writer

You Can’t Choose Your Influences: On the Unexpected Book That Made Me a Writer

Matt Rowland Hill on the Intersection of Spiritual and Literary Canons

By Matt Rowland Hill | July 6, 2022

Chantal V. Johnson on Childhood Abuse and Disclosure

Chantal V. Johnson on Childhood Abuse and Disclosure

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | July 6, 2022

California State of Mind: Searching for Didion and Babitz in Literary Los Angeles

California State of Mind: Searching for Didion and Babitz in Literary Los Angeles

Marianne Eloise on Two of Her Favorite Writers—Who Could Not Be More Different

By Marianne Eloise | July 5, 2022

1980s Glam French Rebellion: A Literary Playlist

1980s Glam French Rebellion: A Literary Playlist

By Valérie Perrin, Author of Three

By Valérie Perrin | July 5, 2022

Emily Rapp Black on Frida Kahlo, Disability, and the Myth of the Suffering Artist

Emily Rapp Black on Frida Kahlo, Disability, and the Myth of the Suffering Artist

This Week From the Big Table Podcast with JC Gabel

By Big Table | July 5, 2022

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Page 63 of 160
    • MWA Announces the 2026 Edgar Award NominationsJanuary 20, 2026 by CrimeReads
    • 24 New and Upcoming Historical Novels To Look Forward To In 2026January 20, 2026 by Molly Odintz
    • Michael Koryta and Malcolm Kempt on Gothic Fiction and the ArcticJanuary 20, 2026 by CrimeReads
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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