Literary Hub » Film and TV

“Potentially very difficult”: Ryusuke Hamaguchi on adapting Haruki Murakami’s “Drive My Car.”

“Potentially very difficult”: Ryusuke Hamaguchi on adapting Haruki Murakami’s “Drive My Car.”

By Walker Caplan | January 28, 2022

On <em>The Afterparty</em> and the Rise of the “Millennial Whodunnit”

On The Afterparty and the Rise of the “Millennial Whodunnit”

Olivia Rutigliano Takes Stock of the Star-Studded New Show

By Olivia Rutigliano | January 28, 2022

Is <em>The Lost Daughter</em> <br>a Horror Film?

Is The Lost Daughter
a Horror Film?

Elizabeth Horkley on Creepy Dolls and Taboo Territory in the New Ferrante Adaptation

By Elizabeth Horkley | January 27, 2022

How Modern Storytelling Uses Aliens to Talk About Humanity

How Modern Storytelling Uses Aliens to Talk About Humanity

Mike Chen on the Power of Allegory in Science Fiction

By Mike Chen | January 27, 2022

Let's remember when <em>The Simpsons</em> did

Let's remember when The Simpsons did "The Raven."

By Dan Sheehan | January 26, 2022

Watch the new trailer for the third season of <em>My Brilliant Friend</em>.

Watch the new trailer for the third season of My Brilliant Friend.

By Emily Temple | January 26, 2022

Best Reviewed
Books of the Week

We’re All Just Extras Here: Wandering the Back Streets of Old Hollywood

By David L. Ulin | January 26, 2022

Let’s Talk About Bruno: In Encanto’s OCD Allegory, the Weird Brother Deserves Better

By Rachel May | January 26, 2022

“Holy shit, did you just say that out loud?” Maggie Gyllenhaal on Ferrante’s novels.

By Walker Caplan | January 25, 2022

God of Teenage Appetites: On the Undeniable Allure of Meat Loaf

God of Teenage Appetites: On the Undeniable Allure of Meat Loaf

Summer Brennan Revisits the Genius of “I Would Do Anything For Love (But I Won’t Do That)”

By Summer Brennan | January 24, 2022

Watch the new trailer for Guillermo del Toro’s <em>Pinocchio</em> adaptation.

Watch the new trailer for Guillermo del Toro’s Pinocchio adaptation.

By Jonny Diamond | January 24, 2022

How <em>Paris is Burning</em> Left an Indelible Mark on Pop Culture

How Paris is Burning Left an Indelible Mark on Pop Culture

Ricky Tucker on the Magic of Queer Blackness

By Ricky Tucker | January 24, 2022

Words to Live By: The Collective Wisdom of <em>The Golden Girls</em>

Words to Live By: The Collective Wisdom of The Golden Girls

"You’re old, you sag, you get over it.”

By Maggie Rowe | January 24, 2022

“The Uterus and the American Dream.” Art-Making and Domestic Labor in <em>Bergman Island</em>

“The Uterus and the American Dream.” Art-Making and Domestic Labor in Bergman Island

Mira Ptacin on Mia Hansen-Løve’s New Film

By Mira Ptacin | January 21, 2022

Anthony Veasna So’s <em>Afterparties</em> will be developed for television.

Anthony Veasna So’s Afterparties will be developed for television.

By Walker Caplan | January 20, 2022

Feeling Seen in <em>Sort Of</em>: On Queer Feelings and the Company of Others

Feeling Seen in Sort Of: On Queer Feelings and the Company of Others

Aanchal Saraf on the Power of Art By and About Trans People of Color

By Aanchal Saraf | January 20, 2022

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