In the Resurgence of Folk Horror, We Are the Villains
Michelle Nijhuis on Woodlands Dark and Days Bewitched:
A History of Folk Horror
By Michelle Nijhuis | February 14, 2022
Erich Schwartzel on Hollywood, China, and the Global Battle for Cultural Supremacy
By Keen On | February 11, 2022
Reality TV is Getting Boring Again—and Maybe That’s a Good Thing
By Danielle J. Lindemann | February 10, 2022
On the Coen Brothers’ Bitter, Brokenhearted Noir,
Miller’s Crossing
By Olivia Rutigliano | February 9, 2022
Georgia Pritchett Recounts a TV Industry #MeToo Experience in Three Acts, with No Closure
“It was almost funny, except it wasn’t.”
By Georgia Pritchett | February 9, 2022
By Walker Caplan | February 8, 2022
From Little Miss Sunshine to Nanny: How Genre is Transforming Our Idea of the “Sundance Film”
Reuben Baron Considers a Trend in This Year's Festival Standouts
By Reuben Baron | February 7, 2022
