Stop, Collaborate, and Listen: Amanda Pellegrino on Writing for TV Versus Writing a Novel

Stop, Collaborate, and Listen: Amanda Pellegrino on Writing for TV Versus Writing a Novel

"Writing a TV show is a team sport from day one."

By Amanda Pellegrino | March 8, 2022

It’s an Honor Just to Be Asian: Sandra Oh on Systemic Racism in Hollywood

It’s an Honor Just to Be Asian: Sandra Oh on Systemic Racism in Hollywood

“For the first time, I’m finally getting film roles where my character’s name is Korean.”

By Jeff Yang, Phil Yu, and Philip Wang | March 7, 2022

Reading Rainbow is coming—this time, without LeVar Burton.

Reading Rainbow is coming—this time, without LeVar Burton.

By Walker Caplan | March 4, 2022

The Literary Film and TV You Need to Stream in March

The Literary Film and TV You Need to Stream in March

It’s a Big One, Folks

By Eliza Smith | March 4, 2022

Joachim Trier Isn’t Afraid of Virginia Woolf

Joachim Trier Isn’t Afraid of Virginia Woolf

Meg Walters on the Woolfian Spirit of The Worst Person in the World

By Meg Walters | March 4, 2022

Does Success Justify Abandonment? Min Jin Lee on <em>Cinema Paradiso</em> and the Artist's Life

Does Success Justify Abandonment? Min Jin Lee on Cinema Paradiso and the Artist's Life

The Author of Pachinko in Conversation with Mychal Denzel Smith on Open Form

By Open Form | March 3, 2022

Best Reviewed
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  • They
  • This Is Not About Us
  • Eradication: A Fable
  • The Boundless Deep: Young Tennyson, Science and the Crisis of Belief
  • The Last Kings of Hollywood: Coppola, Lucas, Spielberg—And the Battle for the Soul of American Cinema
  • End of Days: Ruby Ridge, the Apocalypse, and the Unmaking of America

Kathryn Davis on Bingeing Lost and Coming to Terms with the Unknowable

By Kathryn Davis | March 2, 2022

Watch Bob Odenkirk show Stephen Colbert how he wrote his memoir. (Spoiler: it’s comedy.)

By Walker Caplan | March 1, 2022

Petroleum and Patriarchy: How Art Functions in Written on the Wind and Giant

By Laura Valenza | March 1, 2022

Harvey Fierstein on the Best Late Night Hosts He Ever Worked With

Harvey Fierstein on the Best Late Night Hosts He Ever Worked With

The Hairspray Star Recounts His Tell Alls, from The Tonight Show to 20/20

By Harvey Fierstein | March 1, 2022

Dana Stevens on Writing a “Zigzagging Biography” of Buster Keaton

Dana Stevens on Writing a “Zigzagging Biography” of Buster Keaton

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | March 1, 2022

Just a reminder that Haruki Murakami’s <em>Drive My Car</em> is coming to streaming in March.

Just a reminder that Haruki Murakami’s Drive My Car is coming to streaming in March.

By Walker Caplan | February 28, 2022

Is Adaptation a Feminine Act? On the Women Writers Who Worked on <em>Alfred Hitchcock Presents</em>

Is Adaptation a Feminine Act? On the Women Writers Who Worked on Alfred Hitchcock Presents

Annie Berke on the Writers Who “Hijacked” the Gender Politics of Their Source Materials

By Annie Berke | February 28, 2022

5 Audiobooks That Will Help You Get Your Hollywood Award Season Fix

5 Audiobooks That Will Help You Get Your Hollywood Award Season Fix

James Tate Hill Recommends Hayley Mills, Sharon Stone, and More!

By James Tate Hill | February 28, 2022

A Hayao Miyazaki graphic novel is being published for the first time in the U.S.

A Hayao Miyazaki graphic novel is being published for the first time in the U.S.

By Walker Caplan | February 25, 2022

<em>KIMI</em> Proves That Pandemic Movies Can Actually Be Good

KIMI Proves That Pandemic Movies Can Actually Be Good

What the Soderbergh-Kravitz Collaboration Gets Right

By Theo Yurevitch | February 25, 2022

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