Literary Hub » Film and TV

Do the Oscars Have a Future in an Age of Superhero Sequels and Prequels?

Do the Oscars Have a Future in an Age of Superhero Sequels and Prequels?

Bruce Davis in Conversation with Andrew Keen on Keen On

By Keen On | November 29, 2022

On <em>Women Talking</em> and the Unreliable Narrators of Post-MeToo Literature

On Women Talking and the Unreliable Narrators of Post-MeToo Literature

Can Sarah Polley’s Film Adaptation Capture Miriam Toews’s Feat of Storytelling?

By Emma Staffaroni | November 28, 2022

Tracing Bong Joon Ho’s Rise to Fame, from Secret Government Blacklist to Making Oscars History

Tracing Bong Joon Ho’s Rise to Fame, from Secret Government Blacklist to Making Oscars History

Karen Han on the Films That Made a (Cheeky) Star

By Karen Han | November 28, 2022

Steven Spielberg’s <em>The Fabelmans</em> is a Beautiful Memory

Steven Spielberg’s The Fabelmans is a Beautiful Memory

The Director’s Autobiographical Film is Humble, Loving, and Mostly About Other People

By Olivia Rutigliano | November 23, 2022

“In My Opinion, Seven is the Pinnacle of Life.” Annie Barrows on Creating <em>Ivy and Bean</em>

“In My Opinion, Seven is the Pinnacle of Life.” Annie Barrows on Creating Ivy and Bean

How the Book Series (and Netflix Films) Became a Time Capsule and Refuge

By Annie Barrows | November 23, 2022

From Jean-Luc Godard to Bong Joon-ho: Joyce Chopra on the Films That Have Influenced Her

From Jean-Luc Godard to Bong Joon-ho: Joyce Chopra on the Films That Have Influenced Her

Lessons from a Lifetime of Making Art

By Joyce Chopra | November 23, 2022

Best Reviewed
Books of the Week

The Teenage Cannibal Movie for Our Time? Bones and All Ate Me Right Up

By Olivia Rutigliano | November 22, 2022

Rereading White Noise and Feeling Deep Dread... For Noah Baumbach’s Adaptation

By Ken Gordon | November 22, 2022

She Said Is an Effective, Respectful Journalism Movie

By Olivia Rutigliano | November 18, 2022

Finding a Hero in Wednesday Addams as a Closeted and Neurodivergent Tween

Finding a Hero in Wednesday Addams as a Closeted and Neurodivergent Tween

Aisling Walsh Celebrates the Return of the Iconic Outcast

By Aisling Walsh | November 18, 2022

In Sebastián Lelio’s Adaptation of <em>The Wonder</em>, Stories Can Kill

In Sebastián Lelio’s Adaptation of The Wonder, Stories Can Kill

Florence Pugh Carries the New Film Based on Emma Donoghue’s Novel

By Michelle Nijhuis | November 18, 2022

The New Adaptation of <em>Fleishman Is in Trouble</em> Knows What to Do with Its Extra Space

The New Adaptation of Fleishman Is in Trouble Knows What to Do with Its Extra Space

Jessie Gaynor on the FX Series Based on Taffy Brodesser-Akner’s Novel

By Jessie Gaynor | November 16, 2022

Sofia Coppola in Praise of Edith Wharton’s Beloved Antiheroine, Undine Spragg

Sofia Coppola in Praise of Edith Wharton’s Beloved Antiheroine, Undine Spragg

“We watch her like a car crash while at the same time we root for her.”

By Sofia Coppola | November 15, 2022

<em>Shuggie Bain</em> is coming to TV.

Shuggie Bain is coming to TV.

By Dan Sheehan | November 14, 2022

Cary Grant as <em>The Acrobat</em>: A Novel About the Hollywood Comic Star Whose Best Joke Was That He Didn’t Really Exist

Cary Grant as The Acrobat: A Novel About the Hollywood Comic Star Whose Best Joke Was That He Didn’t Really Exist

Edward J. Delaney in Conversation with Andrew Keen on Keen On

By Keen On | November 14, 2022

Rogue, Hero, Icon: On Paul Newman’s Taste for Literary Adaptations

Rogue, Hero, Icon: On Paul Newman’s Taste for Literary Adaptations

Nicole Miller Considers the Actor's Interpretations of American Archetypes

By Nicole Miller | November 11, 2022

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