On Hal Ashby’s Progressive Portrayal of Disability in <em>Coming Home</em>

On Hal Ashby’s Progressive Portrayal of Disability in Coming Home

Chloe Cooper Jones in Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | September 1, 2022

What is the Future of Film in Gaza?

What is the Future of Film in Gaza?

Mosab Abu Toha on Cinema, Expression, and Politics

By Mosab Abu Toha | August 31, 2022

<em>Three Thousand Years of Longing</em> Grants Few Wishes

Three Thousand Years of Longing Grants Few Wishes

George Miller’s New Adaptation Makes the Same Mistake as A.S. Byatt's Story

By Jonathan Russell Clark | August 30, 2022

The first trailer for Noah Baumbach’s <em>White Noise</em> has arrived.

The first trailer for Noah Baumbach’s White Noise has arrived.

By Dan Sheehan | August 26, 2022

Anne Hathaway is going to star in a Harry Styles fan fiction adaptation. (Yes, you read that right.)

Anne Hathaway is going to star in a Harry Styles fan fiction adaptation. (Yes, you read that right.)

By Katie Yee | August 26, 2022

The 50 Best Fictional Dragons, Ranked

The 50 Best Fictional Dragons, Ranked

Thousands of Years of Dragon Lore, from the Rig Veda to Beowulf to the Hobbit

By Olivia Rutigliano | August 26, 2022

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What to Read Before and After Seeing Loving Highsmith

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What Can Bruce Lee Tell Us About Our Contemporary World?

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Jerome Charyn on Finding Literary Inspiration at the Movie Theater

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Flashdance">Flashdance">

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The Author of The Hurting Kind in Conversation with Mychal Denzel Smith on the Open Form Podcast

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Stuck in a Spaceship: On <em>The Expanse</em> and Redrawing the Lines of a Body

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Allison Wyss Considers Bodies in Space and Our Communal Body on Earth

By Allison Wyss | August 23, 2022

Reading Proust in a Black and White World

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On María Alvarez’s New Documentary, Le Temps Perdu

By Catherine Nichols | August 23, 2022

Timothée Chalamet and Luca Guadagnino snub Armie Hammer for their new film about cannibalism.

Timothée Chalamet and Luca Guadagnino snub Armie Hammer for their new film about cannibalism.

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Marguerite Duras on Writing the Screenplay for Alain Resnais’s <em>Hiroshima Mon Amour</em>

Marguerite Duras on Writing the Screenplay for Alain Resnais’s Hiroshima Mon Amour

“We’re afraid. But ultimately, isn’t that necessary from time to time? Especially in film?”

By Marguerite Duras | August 22, 2022

Art Doesn’t Care If You Like It: Gabrielle Bellot on <em>The Sandman</em> Adaptation

Art Doesn’t Care If You Like It: Gabrielle Bellot on The Sandman Adaptation

“Why should art need to appease and excite everyone at once?”

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The Making of a Muse: When Edie Sedgwick Met Andy Warhol

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Alice Sedgwick Wohl on Her Sister’s Transformation From Model To Icon

By Alice Sedgwick Wohl | August 19, 2022

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