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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
The Critic and Her Publics
Awakeners
Fiction/Non/Fiction
I’m a Writer But
Windham-Campbell Prizes Podcast
Memoir Nation
First Draft: A Dialogue on Writing
Tor Presents: Voyage Into Genre
Talk Easy
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Film and TV
When Andy Warhol, Famous Artist, Was on
The Love Boat
“No one knows if the famous artist really loved anyone. No one can really agree on a definition of love, anyway.”
By
Sommer Browning
| April 13, 2022
Rewatching Zelensky’s
Servant of the People
as Russia Wages War on Ukraine
Sonya Bilocerkowycz on the Potency of Narrative in Ukrainian Political Life
By
Sonya Bilocerkowycz
| April 12, 2022
Slow Horses
, Starring Gary Oldman, is Worth the Slow Burn
Come for the Spy Drama’s Creative Pedigree, Stay for the Deeply Bleak Comedy of Spycraft Gone Goblin Mode
By
Alexis Gunderson
| April 8, 2022
The Powerful Impact of Digital Media on Mass Shootings
Mark Follman on Misinformation, Sensational Headlines, and Threat Assessment
By
Mark Follman
| April 8, 2022
When Joan Rivers (Finally) Got Her Big Break
“Thirty-one years of people saying ‘no.’ Ten minutes on television and it was all over.”
By
Shawn Levy
| April 8, 2022
It’s Time to Reframe the Legacy of 70s Screenwriter Carole Eastman
Chris Stanton on the Easy-to-Mythologize Reclusive Perfectionist
By
Chris Stanton
| April 7, 2022
Best Reviewed
Books of the Week
In Praise of Tobey “Mopey” Maguire, Middle School Hero
By
Open Form
| April 7, 2022
James Bond’s War: On Ian Fleming’s Role in Espionage During World War II
By
We Have Ways of Making You Talk
| April 6, 2022
The Literary Film and TV You Need to Stream in April
By
Eliza Smith
| April 1, 2022
Why Do We Have to Feel Good? On Michael Schur’s Cloying Moral Universe
Ariella Garmaise Considers the Instagram Infographic Approach to Ethics
By
Ariella Garmaise
| April 1, 2022
Language is the True Protagonist of
My Brilliant Friend
’s Third Season
Maria Albano on the “Poetry of Plain Language” in Luchetti's Adaptation
By
Maria Albano
| April 1, 2022
How Baldwin and Jenkins Capture Communal Black Love in
If Beale Street Could Talk
Farah Jasmine Griffin in Conversation with Mychal Denzel Smith on the
Open Form
Podcast
By
Open Form
| March 31, 2022
On the “Secret” Wedding of Vivien Leigh and Laurence Olivier
Or, When the Prude, the Filmmaker, and the Lovers Roadtripped to Santa Barbara
By
Stephen Galloway
| March 31, 2022
My Friend Roger: Taking a Master Class in Film During the Pandemic
Beth Parker on a 14-Month-Long Communion with a Critic for the People
By
Beth Parker
| March 30, 2022
Why Margaret Thatcher Waged War on the BBC
David Hendy on the Neoliberal Transformation of British Media in the 1980s
By
David Hendy
| March 30, 2022
What
Shark Tank
Tells Us About the Unreality of Life in America
Daniel Horowitz in Conversation with Andrew Keen
By
Keen On
| March 29, 2022
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Page 40 of 88
Hannah Beer On The Costs and Consequences of Celebrity Culture
October 14, 2025
by
Hannah Beer
Five Horror Films Set in Hospitals
October 14, 2025
by
Caitlin Starling
Your guide to transportation horror-cide
October 10, 2025
by
John Hornor Jacobs
The Best Reviewed Books of the Week
"King captures her guileless sense of awe with just a dusting of parody that never…"