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Film and TV
Cannibals or Ghouls? The Elusiveness of Language in
Bones and All
Miyako Pleines on the Crucial Distinction Between Choice and Curse
By
Miyako Pleines
| December 1, 2022
With the Ancestors: Buki Papillon on African Folklore and
Wakanda Forever
In Conversation with Whitney Terrell and V.V. Ganeshananthan on
Fiction/Non/Fiction
By
Fiction Non Fiction
| December 1, 2022
In Netflix’s
Lady Chatterley’s Lover
, a Controversial Classic Becomes a Glossy Love Story
But Yes, There’s Still Plenty of Sex
By
Meg Walters
| November 30, 2022
Tess Gunty's
The Rabbit Hutch
is coming to the screen.
By
Dan Sheehan
| November 29, 2022
Do the Oscars Have a Future in an Age of Superhero Sequels and Prequels?
Bruce Davis in Conversation with Andrew Keen on
Keen On
By
Keen On
| November 29, 2022
On
Women Talking
and the Unreliable Narrators of Post-MeToo Literature
Can Sarah Polley’s Film Adaptation Capture Miriam Toews’s Feat of Storytelling?
By
Emma Staffaroni
| November 28, 2022
Best Reviewed
Books of the Week
Tracing Bong Joon Ho’s Rise to Fame, from Secret Government Blacklist to Making Oscars History
By
Karen Han
| November 28, 2022
Steven Spielberg’s
The Fabelmans
is a Beautiful Memory
By
Olivia Rutigliano
| November 23, 2022
“In My Opinion, Seven is the Pinnacle of Life.” Annie Barrows on Creating
Ivy and Bean
By
Annie Barrows
| November 23, 2022
From Jean-Luc Godard to Bong Joon-ho: Joyce Chopra on the Films That Have Influenced Her
Lessons from a Lifetime of Making Art
By
Joyce Chopra
| November 23, 2022
The Teenage Cannibal Movie for Our Time?
Bones and All
Ate Me Right Up
Luca Guadagnino’s Adaptation of Camille DeAngelis’s Novel is Rich, Sad, and All-Consuming
By
Olivia Rutigliano
| November 22, 2022
Rereading
White Noise
and Feeling Deep Dread... For Noah Baumbach’s Adaptation
Ken Gordon is Very Skeptical About Seeing Don DeLillo on Film
By
Ken Gordon
| November 22, 2022
She Said
Is an Effective, Respectful Journalism Movie
The Film Constructively, Caringly Reenacts Jodi Kantor and Megan Twohey’s Investigation into the Crimes of Harvey Weinstein
By
Olivia Rutigliano
| November 18, 2022
Finding a Hero in Wednesday Addams as a Closeted and Neurodivergent Tween
Aisling Walsh Celebrates the Return of the Iconic Outcast
By
Aisling Walsh
| November 18, 2022
In Sebastián Lelio’s Adaptation of
The Wonder
, Stories Can Kill
Florence Pugh Carries the New Film Based on Emma Donoghue’s Novel
By
Michelle Nijhuis
| November 18, 2022
The New Adaptation of
Fleishman Is in Trouble
Knows What to Do with Its Extra Space
Jessie Gaynor on the FX Series Based on Taffy Brodesser-Akner’s Novel
By
Jessie Gaynor
| November 16, 2022
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"There is so much silence in this novel so much air A novel speaks yes…"