Literary Hub » Film and TV

When Andy Warhol, Famous Artist, Was on <em>The Love Boat</em>

When Andy Warhol, Famous Artist, Was on The Love Boat

“No one knows if the famous artist really loved anyone. No one can really agree on a definition of love, anyway.”

By Sommer Browning | April 13, 2022

Rewatching Zelensky’s <em>Servant of the People</em> as Russia Wages War on Ukraine

Rewatching Zelensky’s Servant of the People as Russia Wages War on Ukraine

Sonya Bilocerkowycz on the Potency of Narrative in Ukrainian Political Life

By Sonya Bilocerkowycz | April 12, 2022

<em>Slow Horses</em>, Starring Gary Oldman, is Worth the Slow Burn

Slow Horses, Starring Gary Oldman, is Worth the Slow Burn

Come for the Spy Drama’s Creative Pedigree, Stay for the Deeply Bleak Comedy of Spycraft Gone Goblin Mode

By Alexis Gunderson | April 8, 2022

The Powerful Impact of Digital Media on Mass Shootings

The Powerful Impact of Digital Media on Mass Shootings

Mark Follman on Misinformation, Sensational Headlines, and Threat Assessment

By Mark Follman | April 8, 2022

When Joan Rivers (Finally) Got Her Big Break

When Joan Rivers (Finally) Got Her Big Break

“Thirty-one years of people saying ‘no.’ Ten minutes on television and it was all over.”

By Shawn Levy | April 8, 2022

It’s Time to Reframe the Legacy of 70s Screenwriter Carole Eastman

It’s Time to Reframe the Legacy of 70s Screenwriter Carole Eastman

Chris Stanton on the Easy-to-Mythologize Reclusive Perfectionist

By Chris Stanton | April 7, 2022

Best Reviewed
Books of the Week

In Praise of Tobey “Mopey” Maguire, Middle School Hero

By Open Form | April 7, 2022

James Bond’s War: On Ian Fleming’s Role in Espionage During World War II

By We Have Ways of Making You Talk | April 6, 2022

The Literary Film and TV You Need to Stream in April

By Eliza Smith | April 1, 2022

Why Do We Have to Feel Good? On Michael Schur’s Cloying Moral Universe

Why Do We Have to Feel Good? On Michael Schur’s Cloying Moral Universe

Ariella Garmaise Considers the Instagram Infographic Approach to Ethics

By Ariella Garmaise | April 1, 2022

Language is the True Protagonist of <em>My Brilliant Friend</em>’s Third Season

Language is the True Protagonist of My Brilliant Friend’s Third Season

Maria Albano on the “Poetry of Plain Language” in Luchetti's Adaptation

By Maria Albano | April 1, 2022

How Baldwin and Jenkins Capture Communal Black Love in <em>If Beale Street Could Talk</em>

How Baldwin and Jenkins Capture Communal Black Love in If Beale Street Could Talk

Farah Jasmine Griffin in Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | March 31, 2022

On the “Secret” Wedding of Vivien Leigh and Laurence Olivier

On the “Secret” Wedding of Vivien Leigh and Laurence Olivier

Or, When the Prude, the Filmmaker, and the Lovers Roadtripped to Santa Barbara

By Stephen Galloway | March 31, 2022

My Friend Roger: Taking a Master Class in Film During the Pandemic

My Friend Roger: Taking a Master Class in Film During the Pandemic

Beth Parker on a 14-Month-Long Communion with a Critic for the People

By Beth Parker | March 30, 2022

Why Margaret Thatcher Waged War on the BBC

Why Margaret Thatcher Waged War on the BBC

David Hendy on the Neoliberal Transformation of British Media in the 1980s

By David Hendy | March 30, 2022

What <em>Shark Tank</em> Tells Us About the Unreality of Life in America

What Shark Tank Tells Us About the Unreality of Life in America

Daniel Horowitz in Conversation with Andrew Keen

By Keen On | March 29, 2022

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