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5 Reasons a Writer Should Move to Jackson, Mississippi

5 Reasons a Writer Should Move to Jackson, Mississippi

Our Cool Shit is Cheap, and Our Cheap Shit is Cool

By Tom Head | May 13, 2019

Tobias Wolff on the Iconic Memoir He Never <br>Intended to Write

Tobias Wolff on the Iconic Memoir He Never
Intended to Write

"I was overcome by admiration for my mother’s courage, and gratitude for her loyalty..."

By Tobias Wolff | May 10, 2019

The Stories Mothers Never Tell

The Stories Mothers Never Tell

A Collaborative Essay by Jill Talbot and Marcia Aldrich

By Jill Talbot and Marcia Aldrich | May 10, 2019

Taking an Author's Photo Is Like Going on a First Date

Taking an Author's Photo Is Like Going on a First Date

Nina Subin on the Careful Process of Taking a Writer's Headshot

By Nina Subin | May 6, 2019

The New Toolkit For Opening Up Your Memoir Writing

The New Toolkit For Opening Up Your Memoir Writing

Eve Makis on Creating Outlets for Those Who Might Not Have Them

By Eve Makis | May 6, 2019

On <em>Not</em> Writing About My Father, an Actual Mad Scientist

On Not Writing About My Father, an Actual Mad Scientist

Erika Swyler on the Autobiographical Truths of Fiction

By Erika Swyler | May 3, 2019

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

Poetry, Like Witchcraft and Magick, is an Act of Transformation

By Janaka Stucky | May 3, 2019

Finding Freedom in Writing a Language My
Parents Can't Read

By Kia Abdullah | May 1, 2019

On the Struggle to Become a True
Parisian Flaneur

By Aysegül Savas | April 30, 2019

David Means on the World As<br> Endless Inspiration

David Means on the World As
Endless Inspiration

"Art arrives out of a tension between the private and the public..."

By David Means | April 29, 2019

How to Write a Book in Ten Days

How to Write a Book in Ten Days

Philip K. Dick Award-Winner Meg Elison On Getting It Done

By Meg Elison | April 26, 2019

On the Importance of Getting the Science Right in Your Novel

On the Importance of Getting the Science Right in Your Novel

When the World of Fact Helps Fiction Do Its Job

By Andrea Rothman | April 26, 2019

On Editing Oliver Sacks After<br> He Was Gone

On Editing Oliver Sacks After
He Was Gone

How the Author of 13 Books Never Stopped Loving the Publishing Process

By Bill Hayes | April 23, 2019

The Failures of a Wunderkind: <br>On Rejection and Persistence

The Failures of a Wunderkind:
On Rejection and Persistence

Michael Croley is Just Fine with Publishing a Book at 41

By Michael Croley | April 23, 2019

Ian McEwan on Bach, Philip Roth and Living an Episodic Life

Ian McEwan on Bach, Philip Roth and Living an Episodic Life

"All creative acts demand a fruitful pause at certain points."

By Literary Hub | April 23, 2019

Jane Alison on Raymond Carver<br> and Tobias Wolff

Jane Alison on Raymond Carver
and Tobias Wolff

Two Close Readings: Wavelets

By Jane Alison | April 18, 2019

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Page 213 of 262
    • 6 Thrillers That Reveal the Dark Sides of FameJanuary 21, 2026 by Jessie Garcia
    • Ellie Levenson on the Beautiful Realism of Ambiguous Endings in NarrativesJanuary 21, 2026 by Ellie Levenson
    • Crime on the High Seas: 8 Historical Mysteries with Pirates and SmugglersJanuary 21, 2026 by Linda Wilgus
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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