Literary Hub » Craft and Advice

Craig Davidson on the Secrets Best Left Out of Memoir

Craig Davidson on the Secrets Best Left Out of Memoir

"I’d slipped a gear between living a story and making a story."

By Craig Davidson | October 22, 2021

Nariman Youssef on Migration, Translation, and the Complexities of the “Mother Tongue”

Nariman Youssef on Migration, Translation, and the Complexities of the “Mother Tongue”

This Week from The Common Podcast

By The Common | October 22, 2021

Jennifer Estep on Her Favorite Character of All Time to Write

Jennifer Estep on Her Favorite Character of All Time to Write

In Conversation with Gabrielle Mathieu on the New Books Network

By New Books Network | October 22, 2021

Julia Elliott and DaMaris B. Hill on Writing Rural America

Julia Elliott and DaMaris B. Hill on Writing Rural America

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | October 21, 2021

TaraShea Nesbit on Reckoning With Ghosts, and Returning to the Same Story, Again and Again

TaraShea Nesbit on Reckoning With Ghosts, and Returning to the Same Story, Again and Again

“There is a backward-looking thing in all good stories and essays: a haunting.”

By TaraShea Nesbit | October 21, 2021

Chris Hedges on Teaching Playwriting in Prison

Chris Hedges on Teaching Playwriting in Prison

Writing Exercises, Sincerity, and Amiri Baraka’s Dutchman

By Chris Hedges | October 21, 2021

Best Reviewed
Books of the Week

This 1998 advice from Ursula K. Le Guin about gender-neutral language is still relevant.

By Vanessa Willoughby | October 20, 2021

Reading Women on the Emotional Complexities in Women’s Crime Fiction

By Reading Women | October 20, 2021

Writing Through Trauma, Past and Present: On the Legacies of Catholic Ireland

By Elaine Feeney | October 20, 2021

Tiphanie Yanique on Moving Beyond Traditional Hero Narratives

Tiphanie Yanique on Moving Beyond Traditional Hero Narratives

Jane Ciabattari Talks to the Author of Monster in the Middle

By Jane Ciabattari | October 19, 2021

“Cut, Cut, Cut, Until the Spirit Shines Through.” Sarah Ruhl on Craft and Catharsis

“Cut, Cut, Cut, Until the Spirit Shines Through.” Sarah Ruhl on Craft and Catharsis

The Author of Smile in Conversation With Playwright, Beth Henley

By Beth Henley | October 19, 2021

Forrest Gander on Grief, Translation, and Sharing Joy in Times of Suffering

Forrest Gander on Grief, Translation, and Sharing Joy in Times of Suffering

In Conversation with Paul Holdengräber on The Quarantine Tapes

By The Quarantine Tapes | October 19, 2021

Writing from Home: Lessons from a Novelist-Slash-Small-Town Newspaper Columnist

Writing from Home: Lessons from a Novelist-Slash-Small-Town Newspaper Columnist

Nickolas Butler on Writing as an Act of Service and the Power of Local News

By Nickolas Butler | October 18, 2021

How Do You Write About People Who Don’t Want To Be Written About?

How Do You Write About People Who Don’t Want To Be Written About?

Ethan Lou on Unauthorized Biographies and Uncomfortable Writing

By Ethan Lou | October 18, 2021

Richard Powers on the Duplicity of Bewilderment

Richard Powers on the Duplicity of Bewilderment

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | October 18, 2021

Read Ezra Pound’s extensive revisions to T. S. Eliot’s <em>The Waste Land</em>.

Read Ezra Pound’s extensive revisions to T. S. Eliot’s The Waste Land.

By Vanessa Willoughby | October 15, 2021

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