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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
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    • From the Novel
    • Poem
  • News and Culture
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    • First Draft: A Dialogue on Writing
    • Thresholds
    • The Cosmic Library
    • Culture Schlock
  • Reading Lists
    • The Best of the Decade
  • Book Marks
    • Best Reviewed Books
  • CrimeReads
    • True Crime
    • The Daily Thrill
  • Log In
Of Sisterly Bonds and Translating the Untranslatable

Of Sisterly Bonds and Translating the Untranslatable

From Jennifer Croft's New Memoir, Homesick

By Jennifer Croft | September 17, 2019

Josh Gondelman: Please Stop Trying to Make Dad Shoes Cool

Josh Gondelman: Please Stop Trying to Make Dad Shoes Cool

Let These $950 Sneakers Be the End of the Trend

By Josh Gondelman | September 17, 2019

Kevin Barry on the Need to Sustain Our Literature

Kevin Barry on the Need to Sustain Our Literature

5 Questions for the Author of Night Boat to Tangier

By Literary Hub | September 17, 2019

Speaking Black Life Across Generations: A Conversation with Imani Perry

Speaking Black Life Across Generations: A Conversation with Imani Perry

Mitchell Jackson Talks to the Author of Breathe

By Mitchell S. Jackson | September 17, 2019

One Person's Junk Is Another Person's Treasure

One Person's Junk Is Another Person's Treasure

In Brazil, One Man Collects Fragments of Discarded Lives

By Eliane Brum | September 17, 2019

How to Be Human in a Time<br> of Climate Crisis

How to Be Human in a Time
of Climate Crisis

On Relearning the History of an Earth on the Verge

By Elizabeth Putfark | September 16, 2019

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

On Alma Mahler, Muse and Mistress of Fin-de-Siecle Vienna

By Cate Haste | September 16, 2019

Helen Phillips on Her Dark Exploration of Motherhood

By First Draft: A Dialogue on Writing | September 16, 2019

Elizabeth McCracken: Remembering Susan Kamil, Friend and Editor

By Elizabeth McCracken | September 16, 2019

Can Climate Fiction Be... Hopeful?

Can Climate Fiction Be... Hopeful?

Alex DiFrancesco and Ashley Shelby on Writing
Mythology for a New Era

By Literary Hub | September 16, 2019

The US Tour That Made Gertrude Stein a Household Name

The US Tour That Made Gertrude Stein a Household Name

She Was Always Ready for the Paparazzi

By Roy Morris, Jr. | September 16, 2019

Will It Ever Be Ethical for Athletes to Edit Their Genes?

Will It Ever Be Ethical for Athletes to Edit Their Genes?

Françoise Baylis on the Problematic New Science of
"Building Better Humans"

By Françoise Baylis | September 16, 2019

Marching on London with Extinction Rebellion

Marching on London with Extinction Rebellion

Thomas Bunstead on the Pilgrimage from East Sussex to London

By Thomas Bunstead | September 16, 2019

On the Rare Decency of <br>Susan Kamil

On the Rare Decency of
Susan Kamil

John Freeman Remembers One of Publishing's Great Editors

By John Freeman | September 16, 2019

On Eric Garner, Jean-Michel Basquiat and Police Brutality as American Tradition

On Eric Garner, Jean-Michel Basquiat and Police Brutality as American Tradition

“¿DEFACEMENT?,” Inspired by the 1983 Police Murder of Michael Stewart

By J. Faith Almiron | September 13, 2019

September 10, 2001 at the World Trade Center's Windows on the World

September 10, 2001 at the World Trade Center's Windows on the World

Life in New York City on the Eve of History

By Tom Roston | September 13, 2019

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    • This Halloween, what's scarier than the French?October 31, 2025 by Olivia Rutigliano
    • A Brief History of Bounty Hunting in American Art and LifeOctober 31, 2025 by Cindy Fazzi
    • Behind the Masks of Ed GeinOctober 31, 2025 by Frank Ladd
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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