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Sweet Yet Sinister: How the Stroller Embodies Parental Hopes and Fears

Sweet Yet Sinister: How the Stroller Embodies Parental Hopes and Fears

Amanda Parrish Morgan on Maternal Idealization and Inadequacy

By Amanda Parrish Morgan | October 24, 2022

How Republicans Weaponized Lies to Incite Their Followers

How Republicans Weaponized Lies to Incite Their Followers

Robert Draper on What Was Behind the January 6 Insurrection

By Robert Draper | October 24, 2022

“Elves Live Here.” On Modern Icelandic Elflore and the Shades of Belief

“Elves Live Here.” On Modern Icelandic Elflore and the Shades of Belief

Nancy Marie Brown Considers the Stories Surrounding the Country’s “Hidden Folk”

By Nancy Marie Brown | October 24, 2022

“A Solemn Battle between Good and Evil.” Charles Sumner’s Radical, Compelling Message of Abolition

“A Solemn Battle between Good and Evil.” Charles Sumner’s Radical, Compelling Message of Abolition

Timothy Shenk on the Senator from Massachusetts and the Birth of the Republican Party

By Timothy Shenk | October 24, 2022

A Dreamer of Worlds: Anna Badkhen Explores Ethiopa (and the Etymologies of Maps)

A Dreamer of Worlds: Anna Badkhen Explores Ethiopa (and the Etymologies of Maps)

“What each map always implies is the observer, you.”

By Anna Badkhen | October 24, 2022

On the Rich, Hidden History of the Banjo

On the Rich, Hidden History of the Banjo

Kristina R. Gaddy on the Instrument’s Spiritual and Cultural Significance

By Kristina R. Gaddy | October 24, 2022

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How T.S. Eliot’s Therapeutic Practice Produced The Waste Land

By David Barnes | October 24, 2022

Lan Samantha Chang on How—or Whether—to Evolve Your Aesthetic or Style

By Memoir Nation | October 24, 2022

“You Find a Way to Be Distinctive.” George Saunders on His Writerly Evolution

By First Draft: A Dialogue on Writing | October 24, 2022

How Modern is <em>The Waste Land</em>, After All?

How Modern is The Waste Land, After All?

“What could be cooler than the harmony between two great artists born in two different centuries and half a world apart?”

By Alok A. Khorana | October 24, 2022

Why Is Flying So Miserable These Days? And Was It Ever That Glamorous?

Why Is Flying So Miserable These Days? And Was It Ever That Glamorous?

Ann Hood in Conversation with Andrew Keen on Keen On

By Keen On | October 24, 2022

How Was Your <em>Ulysses</em>?

How Was Your Ulysses?

From The History of Literature Podcast with Jacke Wilson

By History of Literature | October 24, 2022

The Grief of Publishing a Book Without the Parent Who Inspired You

The Grief of Publishing a Book Without the Parent Who Inspired You

Monica Macansantos on the Words Her Father Awakened

By Monica Macansantos | October 24, 2022

Harold R. Johnson on How We Tell Our Own Stories

Harold R. Johnson on How We Tell Our Own Stories

“We are the stories we are told and we are the stories we tell ourselves.”

By Harold R. Johnson | October 24, 2022

Realizing History Through Fantasy Literature: Reclaiming Tolkien’s Hobbit For the Left

Realizing History Through Fantasy Literature: Reclaiming Tolkien’s Hobbit For the Left

Robert T. Tally Jr. in Conversation with Andrew Keen on Keen On

By Keen On | October 24, 2022

What Boeing’s 737 Max Tragedy Reveals About the Immorality of Late Stage Industrial Capitalism

What Boeing’s 737 Max Tragedy Reveals About the Immorality of Late Stage Industrial Capitalism

Peter Robison in Conversation with Andrew Keen on Keen On

By Keen On | October 24, 2022

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    • Crime and Horror are Siblings, And Humor is Their Drunk Uncle (or That One Inappropriate Aunt)September 28, 2026 by Theodore C. Van Alst, Jr.
    • Trent Dalton on Australian Noir, Journalism, and Writing Against a Country's StereotypesSeptember 26, 2026 by Alex Dueben
    • If You Loved Watching This Show, Read This Thriller!September 26, 2026 by Gigi Waldorf
    • Exit Party
    • The Best Reviewed Books of the Week
    • "The plot here like the plots in the previous three Mandel novels I've read is…"
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