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Simon Jacobs on Writing Horror and Nailing Tone

Simon Jacobs on Writing Horror and Nailing Tone

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | September 27, 2022

Hafizah Augustus Geter on Personhood, Race, and Origin in America Today

Hafizah Augustus Geter on Personhood, Race, and Origin in America Today

In Conversation with Andrew Keen on Keen On

By Keen On | September 27, 2022

Playwright Jeanne Sakata on the Importance of <em>Hold These Truths</em>

Playwright Jeanne Sakata on the Importance of Hold These Truths

Featuring the Japanese American Civil Liberties Collection from LA Theatre Works

By Audiobook Break | September 27, 2022

Richard Reeves Identifies Today’s Crisis of Masculinity and Explains How to Fix It

Richard Reeves Identifies Today’s Crisis of Masculinity and Explains How to Fix It

In Conversation with Andrew Keen on Keen On

By Keen On | September 27, 2022

<em>Hold These Truths</em> Act I and II: On Gordon Hirabayashi’s Courageous Stand

Hold These Truths Act I and II: On Gordon Hirabayashi’s Courageous Stand

Featuring the Japanese American Civil Liberties Collection from LA Theatre Works

By Audiobook Break | September 27, 2022

<em>I’m Glad My Mom Died</em> by Jennette McCurdy, Read by Jennette McCurdy

I’m Glad My Mom Died by Jennette McCurdy, Read by Jennette McCurdy

On the Actor’s Challenging Childhood

By Behind the Mic | September 27, 2022

Best Reviewed
Books of the Week

  • Country People
  • You Won't Get Free of It: Stories of Mothers and Daughters
  • Exit Stalin: The Soviet Union as a Civilization, 1953-1991
  • The Great Wherever
  • A Sudden Flicker of Light: A Revisionist History of Movies
  • The Simp: A Novel Without a Hero

Why the First Lady of Sales Believes the Word “Sales” is Cringeworthy

By Keen On | September 27, 2022

Yiyun Li on Writing Advice (the Good, the Bad) and the Books She Always Returns To

By Literary Hub | September 26, 2022

Neither Villain Nor Victim: Stacey D’Erasmo on Embracing Discomfort in Telling the Story of a Complicit Woman

By Stacey D'Erasmo | September 26, 2022

Read Ted Berrigan’s Original Review of Frank O’Hara’s <em>Lunch Poems</em>

Read Ted Berrigan’s Original Review of Frank O’Hara’s Lunch Poems

“It’s a great book!”

By Ted Berrigan | September 26, 2022

Considering the Poetry of Molly Brodak and the Ache of the Unknowable World

Considering the Poetry of Molly Brodak and the Ache of the Unknowable World

Joseph Earp on Schizophrenia, Recovery, and Finding Connection When You Need It

By Joseph Earp | September 26, 2022

How an Architect’s Endless Pursuit of Artistic Perfection Drove Him To Despair

How an Architect’s Endless Pursuit of Artistic Perfection Drove Him To Despair

Charlotte Van den Broeck on the Italian Baroque Master, Francesco Borromini

By Charlotte Van den Broeck | September 26, 2022

When Male Authors Write Male Violence

When Male Authors Write Male Violence

Philippa Snow on Ryu Murakami’s Novel Piercing

By Philippa Snow | September 26, 2022

J. Drew Lanham on Finding Refuge in His Backyard During the Pandemic Lockdown

J. Drew Lanham on Finding Refuge in His Backyard During the Pandemic Lockdown

This Week from the Emergence Magazine Podcast

By Emergence Magazine | September 26, 2022

Qian Julie Wang on Commuting, People-Watching, and Letting the Story Marinate

Qian Julie Wang on Commuting, People-Watching, and Letting the Story Marinate

“I delete and demolish with zeal.”

By Literary Hub | September 26, 2022

Morgan Talty on How Form Can Shape Story... If You Listen

Morgan Talty on How Form Can Shape Story... If You Listen

In Conversation with Brooke Warner and Grant Faulkner on the Write-minded Podcast

By Memoir Nation | September 26, 2022

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    • How Pinellas County, Florida Shaped the Strange Life of Conman Paul SkalnikJuly 14, 2026 by Pamela Colloff
    • Jo Piazza on Writing Convincing Art Heists and Museum MysteriesJuly 14, 2026 by Jo Piazza
    • Country People
    • The Best Reviewed Books of the Week
    • "Wonderfully dry intellectually frisky Mason is a lively fluid writer here he glides smoothly between…"
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