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On Searching For Nabokov’s Rarest Paperbacks Across America

On Searching For Nabokov’s Rarest Paperbacks Across America

Nina Chayka Remembers Ardis, the Innovative Publisher That Brought Russian and Soviet Literature to the United States

By Nina Chayka | October 21, 2026

Cinema Amid the Ruins: </br>How Two Sisters Built a Movie Theater For the Children of Gaza

Cinema Amid the Ruins:
How Two Sisters Built a Movie Theater For the Children of Gaza

“When we see the effect of a film on their faces, we know that we have succeeded.”

By Husam Maarouf | October 21, 2026

How AI Changes the Fundamental Structure of the Classroom—Especially the Segregated Ones

How AI Changes the Fundamental Structure of the Classroom—Especially the Segregated Ones

Kamau Bobb on Artificial Intelligence in Education and America‘s Racial Caste System

By Kamau Bobb | October 21, 2026

On the History of the Aes Sidhe, Ireland’s Seductively Dangerous Fairies

On the History of the Aes Sidhe, Ireland’s Seductively Dangerous Fairies

Sarah Clegg Explores the Origins and Meaning of Irish Legends

By Sarah Clegg | October 21, 2026

How the Communist Party of China Became the Most Successful Political Party in the World

How the Communist Party of China Became the Most Successful Political Party in the World

Paul Mason on the Global History of Communism

By Paul Mason | October 21, 2026

“Elevation,” a Poem by Lindsay Turner

“Elevation,” a Poem by Lindsay Turner

From the Collection Middle Slope

By Lindsay Turner | October 21, 2026

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Truong Tran on Channeling the Violence of White Supremacy Into Art

By Truong Tran | October 21, 2026

Lit Hub is Hiring a Senior Editor For a New Vertical

By Literary Hub | October 20, 2026

Why We Should All Put Down Our Smartphones

By August Lamm | October 20, 2026

Meet the Best Debut Novelists of 2026

Meet the Best Debut Novelists of 2026

The Seven Finalists for the Center for Fiction First Novel Prize on Their Reading and Writing Lives

By Emily Temple | October 20, 2026

“If You Write Properly You Shouldn’t Have to Punctuate.” Was Cormac McCarthy That Guy in Your MFA?

“If You Write Properly You Shouldn’t Have to Punctuate.” Was Cormac McCarthy That Guy in Your MFA?

Tracy Daugherty on the Student Days of the Now Iconic American Writer

By Tracy Daugherty | October 20, 2026

On the Post-War Rise of 20th-Century British Bookselling

On the Post-War Rise of 20th-Century British Bookselling

Andrew Pettegree Considers the Development of Modern Literary Culture in the United Kingdom

By Andrew Pettegree | October 20, 2026

What John Berryman’s Lectures Revealed About Young Shakespeare—and Himself

What John Berryman’s Lectures Revealed About Young Shakespeare—and Himself

Rory Loughnane on the American Poet’s Contributions to the Study of the Bard’s Early Life

By Rory Loughnane | October 20, 2026

The Real Sherlock Holmes: How an Edinburgh Doctor Inspired Doyle’s Detective

The Real Sherlock Holmes: How an Edinburgh Doctor Inspired Doyle’s Detective

Lindsey Fitzharris on the Observational Genius of Professor Joe Bell

By Lindsey Fitzharris | October 20, 2026

How Being a Writer Helped Me Navigate the American Health Insurance System—and Get My Hands on “Liquid Gold”

How Being a Writer Helped Me Navigate the American Health Insurance System—and Get My Hands on “Liquid Gold”

Emma Smith-Stevens on the High Cost of Her Medical Care and the Cruelty of For-Profit Medicine

By Emma Smith-Stevens | October 20, 2026

On Writing About Syria’s Uyghur Community As a Chinese-American

On Writing About Syria’s Uyghur Community As a Chinese-American

Emily Feng Considers the Challenges of Navigating Trauma and Identity in a Post-War Context

By Emily Feng | October 19, 2026

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    • Three Italian Heist Films You Need to SeeNovember 2, 2026 by Olivia Rutigliano
    • 10 New Books Coming Out This WeekNovember 2, 2026 by CrimeReads
    • A Roundtable Discussion on Genre Mashups and Shared WorldsNovember 2, 2026 by Richie Narvaez
    • Sleuth-Hound: The Case of the Real Sherlock Holmes
    • The Best Reviewed Books of the Week
    • "A vivid, sometimes grisly, sometimes enraging portrait of 19th-century British society ... Probing and excellent."
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