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Kiese Laymon on Revision as Love, and Love as Revision

Kiese Laymon on Revision as Love, and Love as Revision

In Conversation with Jordan Kisner on the Thresholds Podcast

By Thresholds | February 9, 2022

Georgia Pritchett Recounts a TV Industry #MeToo Experience in Three Acts, with No Closure

Georgia Pritchett Recounts a TV Industry #MeToo Experience in Three Acts, with No Closure

“It was almost funny, except it wasn’t.”

By Georgia Pritchett | February 9, 2022

Brendan Slocumb on Mentorship, Antiquities Theft, and Being the Only Black Violin Player Around

Brendan Slocumb on Mentorship, Antiquities Theft, and Being the Only Black Violin Player Around

The Author of The Violin Conspiracy Talks to Jane Ciabattari

By Jane Ciabattari | February 9, 2022

Megan Walsh and Rosie Blau on the Nuanced Literary Voices in China

Megan Walsh and Rosie Blau on the Nuanced Literary Voices in China

This Week on Underreported with Nicholas Lemann
from Columbia Global Reports

By Underreported with Nicholas Lemann | February 9, 2022

Martin Puchner on the Climate Lessons from the <em>Epic of Gilgamesh</em>

Martin Puchner on the Climate Lessons from the Epic of Gilgamesh

“How should we humans narrate our self-made climate disaster?”

By Martin Puchner | February 9, 2022

Charmaine Wilkerson Reads from <em>Black Cake</em>, Her Debut Novel About Estranged Siblings

Charmaine Wilkerson Reads from Black Cake, Her Debut Novel About Estranged Siblings

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | February 9, 2022

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

On Clarence Major’s Enduring Portrait of the Blues, Dirty Bird Blues

By Yusef Komunyakaa | February 9, 2022

Colette Brooks on the Dangers of Misremembering Our Past

By Keen On | February 9, 2022

A.J. Baime on Walter F. White and America’s Darkest Secret

By Keen On | February 9, 2022

<em>Reckless Girls</em> by Rachel Hawkins, Read by Barrie Kreinik

Reckless Girls by Rachel Hawkins, Read by Barrie Kreinik

A Fun Trip Turns into a Nightmare

By Behind the Mic | February 9, 2022

Some Fundamental Principles for Writing Great Sex

Some Fundamental Principles for Writing Great Sex

Rebecca Sacks on the Craft Behind the Intimacy

By Bee Sacks | February 8, 2022

What Has COVID Done to Our Romantic Relationships?

What Has COVID Done to Our Romantic Relationships?

Laura Kipnis on Isolation, Intimacy, and Knowing One’s Partner

By Laura Kipnis | February 8, 2022

Jean Rhys’ Women on the Margins: On the Perpetual Resonance of <em>Voyage in the Dark</em>

Jean Rhys’ Women on the Margins: On the Perpetual Resonance of Voyage in the Dark

Imogen Crimp on the Intersection of Ambition, Power, Gender and Money

By Imogen Crimp | February 8, 2022

Why <em>Crouching Tiger, Hidden Dragon</em> Fell Flat in Chinese Theaters

Why Crouching Tiger, Hidden Dragon Fell Flat in Chinese Theaters

Erich Schwartzel on Ang Lee’s Road to Hollywood

By Erich Schwartzel | February 8, 2022

“Little Shields, in Starlight”

“Little Shields, in Starlight”

A Poem by Carl Phillips

By Carl Phillips | February 8, 2022

“Every Time You Eat a Bagel It’s a Fuckin’ Crime.” Liv Stratman on Writing About Diet Culture

“Every Time You Eat a Bagel It’s a Fuckin’ Crime.” Liv Stratman on Writing About Diet Culture

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | February 8, 2022

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Page 489 of 1222
    • New Series to Watch this WeekendJanuary 16, 2026 by Olivia Rutigliano
    • Novelist Van Jensen Talks with His Mother, Acclaimed Painter Jean Jensen, About Art, Literature, and FamilyJanuary 16, 2026 by Van Jensen
    • The Historical Implications and Fictional Possibilities of the Hindenberg DisasterJanuary 16, 2026 by L. A. Chandlar
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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