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Literary Criticism
Imagining Iraq: On the Fifteenth Anniversary of the Iraq War
Philip Metres Offers a Brief History of Imperial Dementia
By
Philip Metres
| March 20, 2018
On Finding a Hero in Alison Bechdel
Genevieve Hudson's Search for a Community on the Page
By
Genevieve Hudson
| March 20, 2018
Does
The Virgin Suicides
Hold Up 25 Years Later?
Rereading Jeffrey Eugenides's Debut Novel in 2018
By
Emily Temple
| March 19, 2018
Is It Worth 1,000 Words? Mark Sarvas on Writing Art in Fiction
A Brief Survey of Paintings in Literature
By
Mark Sarvas
| March 14, 2018
Why Every Progressive Should Read
The Good Soldier Švejk
Paul Goldberg on How to Stay Sane in a World Besieged by Idiocy
By
Paul Goldberg
| March 9, 2018
Curtis White: There's No Such Thing as Postmodernism
Even Some of Its Best-Known Practitioners Were Confused About It
By
Curtis White
| March 9, 2018
Best Reviewed
Books of the Week
The Tragedies of Aeschylus Are Truly Timeless
By
Ismail Kadare
| February 26, 2018
Hannah Arendt on the Time She Met W.H. Auden
By
Hannah Arendt
| February 21, 2018
Can We Ever Escape History? On Walter Kempowski's Life's Work
By
Jenny Erpenbeck
| February 15, 2018
How Do You Write One of Humanity's Most Intimate Moments?
Toward a Unified Literary Theory of the Kiss
By
Brian Turner
| February 14, 2018
How Medieval Storytellers Shape Our Understanding of Romance
Matters of the Heart, from Arthurian Legend to Tristan and Isolde
By
Marilyn Yalom
| February 14, 2018
On the Very Contemporary Art of Flash Fiction
"To Be Brief Takes Time"
By
John Dufresne
| February 13, 2018
Every Publication is a Kind of Death
Patrick Nathan on the Beautiful Morbidity of Language
By
Patrick Nathan
| February 12, 2018
The Literature of Ezili, Vodou Spirit Force of Queer Black Womanhood
Why Do Artists Return Again and Again to Ezili?
By
Omise’eke Natasha Tinsley
| February 9, 2018
Dystopia For Sale: How a Commercialized Genre Lost its Teeth
Overdosing on Stories of Futility Might Be Bad for Us
By
Brady Gerber
| February 8, 2018
Will Self: In Praise of Difficult Novels
Modernism is Still the Best Way to Reflect Our World Back to Us
By
Will Self
| February 7, 2018
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Page 321 of 351
Why to Watch This January: 'The Secret Agent'
January 15, 2026
by
Radha Vatsal
A Brief, Disturbing History of Universal Monsters
January 15, 2026
by
Keith Roysdon
Big Pimpin: Pimps in Black Pop Culture from the 1970s to the Early 2000s
January 15, 2026
by
Michael Gonzales
The Best Reviewed Books of the Week
"Poignant Tender The final line of em The Rest of Our Lives em is by…"