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Craft and Criticism
My First Writing Job: Copyboy at
the Daily News
Warren Adler Remembers the Heyday of Newsprint in America
By
Warren Adler
| January 15, 2016
Interview with a Gatekeeper: Lee Boudreaux
From Rural Virginia to Her Own Imprint
By
Kerri Arsenault
| January 14, 2016
A Brief History of Book Illustration
Are We At the Start of Another Golden Age for Image/Text Collaboration?
By
Chris Russell
| January 14, 2016
Up in the Attic: A Writers' Haven in Portland
In Search of Literary Community, Outside the MFA
By
Michele Filgate
| January 13, 2016
How a Mother-Daughter Translation Team Makes it Work
Martha Tennent and Maruxa Relaño: Not All Happy Families Are Alike
By
Martha Tennent and Maruxa Relano
| January 13, 2016
On Being a Writer Who Can't Read
"I'm Going to Pretend to Read to You From My Novel."
By
James Tate Hill
| January 12, 2016
Best Reviewed
Books of the Week
How to Live Cheaply and Finish Your Novel
By
Sunil Yapa
| January 12, 2016
Lit Scene: A Night Out With Irish Women Writers
By
Sarah Davis-Goff
| January 11, 2016
Rick Moody, Life Coach: I Need to Learn to Fight
By
Rick Moody
| January 11, 2016
How to Write a Book With an Anonymous Private Military Contractor
Ralph Pezzullo on Telling the Stories of America's Secret Soldiers
By
Ralph Pezzullo
| January 11, 2016
Five Finnish Writers You Should Know
(Who Are Even Weirder Than Regular Finns)
By
Johanna Sinisalo
| January 8, 2016
Where is Wisława Szymborska’s Teeming Crowd?
Remembering the Great Poet 20 Years After Her Nobel Prize
By
Jonathan Russell Clark
| January 8, 2016
How I Gave Up On the Great American Novel and Got a Book Deal
On Saying Goodbye to Your Literary Heroes
By
Ed Tarkington
| January 7, 2016
On Writers, Hoarders, and Their Clutter
From Auden to Mitchell: Messy Life, Brilliant Mind?
By
Barry Yourgrau
| January 7, 2016
Christopher Buckley on Faith, Relics, and the Republican Party
In Conversation with the Author of
The Relic Master
By
Bethanne Patrick
| January 6, 2016
A 200-Year-Old Writing Center
Noreen Tomassi Tells Michele Filgate About the Origins of the Center for Fiction
By
Michele Filgate
| January 6, 2016
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"She s not a minimalist but Elizabeth Strout does more with less than any writer…"