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Cartoonist Amy Kurzweil on Drawing Inherited Trauma

Cartoonist Amy Kurzweil on Drawing Inherited Trauma

Memory, the Holocaust, and Flying Couch

By Julia Purcell | February 16, 2017

George Saunders on Death, Trump, and the Trick That Made Him a Better Writer

George Saunders on Death, Trump, and the Trick That Made Him a Better Writer

An In-Depth Conversation with One of America's Greatest Living Writers

By Mike Matesich | February 15, 2017

Emma Donoghue and Laird Hunt on Writing Historical Women

Emma Donoghue and Laird Hunt on Writing Historical Women

Grandmothers, Deep-Sea Diving Suits, and Peat Fires

By Literary Hub | February 15, 2017

Daniel Handler on the Best Writer You Don't Know: Rachel Ingalls

Daniel Handler on the Best Writer You Don't Know: Rachel Ingalls

Novellas? Long Short Stories? Whatever They Are, They're Brilliant

By Daniel Handler | February 14, 2017

My Job Writing Custom Erotic Love Letters

My Job Writing Custom Erotic Love Letters

Lorraine Berry on the Time She Paid the Bills as a 'Literary Courtesan'

By Lorraine Berry | February 14, 2017

Everything I Know About Sex I Learned From Edna St. Vincent Millay

Everything I Know About Sex I Learned From Edna St. Vincent Millay

April Smith on Learning from a Dead Poet What Life Might Be Like

By April Smith | February 14, 2017

Best Reviewed
Books of the Week

  • Permanence
  • No Way Home
  • Muskism: A Guide for the Perplexed
  • Small Town Girls: A Writer's Memoir
  • Last Night in Brooklyn
  • If This Be Magic: The Unlikely Art of Shakespeare in Translation

How the Powerful Fear Art: Lessons from John Berger

By Veronica Esposito | February 13, 2017

On Being a Mother and a Writer in a Time of War

By Lydia Peelle | February 10, 2017

Every Word is an Act of Resistance: Finding My Voice as a Filipino Writer

By Renee Macalino Rutledge | February 10, 2017

Why Great Writing Is Like the <em>Star Trek</em> Blooper Reel

Why Great Writing Is Like the Star Trek Blooper Reel

And Other Highlights from Donna Tartt and John Darnielle in Conversation

By Emily Temple | February 9, 2017

Edgar Allan Poe, Editor and Original Hatchet Man

Edgar Allan Poe, Editor and Original Hatchet Man

On the Literary Magazine in which "The Fall of the House of Usher" First Appeared

By Nathan Scott McNamara | February 9, 2017

A.S. Byatt: I Have Not Yet Written Enough

A.S. Byatt: I Have Not Yet Written Enough

At 80, the Iconic Writer Reflects on Brexit, Mortality, and the Literary Life

By Julie Phillips | February 9, 2017

Clint Smith on Protest, Art, and Protest-Art

Clint Smith on Protest, Art, and Protest-Art

Poets on Their Craft and Writing Lives

By Peter Mishler | February 9, 2017

Behind the Dedications: James Baldwin

Behind the Dedications: James Baldwin

The People in His Life and In His Books...

By Arvind Dilawar | February 8, 2017

How Fiction Tackles Global Economic Uncertainty

How Fiction Tackles Global Economic Uncertainty

Tobias Carroll on Boom-Bust Capitalism, and Stories of Austerity

By Tobias Carroll | February 7, 2017

Katie Kitamura on Ambition, Morality, and Writing Ugly

Katie Kitamura on Ambition, Morality, and Writing Ugly

Bethanne Patrick in conversation with the author of A Separation

By Bethanne Patrick | February 7, 2017

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Page 771 of 839
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    • Allan Gaw on Setting Detective Fiction Before the Advent of DNA ProfilingMay 6, 2026 by Allan Gaw
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    • The Best Reviewed Books of the Week
    • "Mackintosh has a spare and confident hand Her work is sometimes described as dreamlike certainly…"
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