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Six Great Contemporary Writers Working in German

Six Great Contemporary Writers Working in German

The Best New Writing at this Weekend's Festival Neue Literatur

By Literary Hub | February 24, 2016

On the End of the World (and the End of Genre)

On the End of the World (and the End of Genre)

Laura van den Berg in conversation with Emily St. John Mandel

By Literary Hub | February 23, 2016

Harper Lee and the Myth of a Post-Racial America

Harper Lee and the Myth of a Post-Racial America

On the Complicated Legacy of a Beloved Writer

By Kate Jenkins | February 23, 2016

Petina Gappah on Zimbabwe, Language, and

Petina Gappah on Zimbabwe, Language, and "Afropolitans"

An Interview with the author of The Book of Memory

By Julie Phillips | February 22, 2016

Interview with a Gatekeeper: Copper Canyon’s Michael Wiegers

Interview with a Gatekeeper: Copper Canyon’s Michael Wiegers

In Which the Subject Objects to the Term “Gatekeeper”

By Kerri Arsenault | February 19, 2016

The Fine Grim Line Between Love and Stalking

The Fine Grim Line Between Love and Stalking

Lisa Levy On the Crime Fiction of Caroline Kepnes

By Lisa Levy | February 17, 2016

Best Reviewed
Books of the Week

  • Fed Up: Emotional Labor, Women, and the Way Forward
  • Sunrise
  • A Tender Age
  • Under the Falls
  • The Responsible Party
  • Depraved: The Story of Dangerous Art
  • A Guide to Open Water Lifesaving: Lessons on Love, Care, and Survival: A Memoir
  • Days of Miracle and Wonder: Paul Simon and the Trials and Triumphs of Graceland
  • Hocus Pocus
  • Are They Dead Yet?: The Art of the Obit

When Art Cannot Console Us in Death

By Emily Harnett | February 17, 2016

30 Books in 30 Days: Carmela Ciuraru on Colm Tóibín’s On Elizabeth Bishop

By Carmela Ciuraru | February 17, 2016

30 Books in 30 Days: David Biespiel on Frank Stanford: "Poetry Busts Guts"

By David Biespiel | February 16, 2016

30 Books in 30 Days: Mark Athitakis on Ottessa Moshfegh's <em>Eileen</em>

30 Books in 30 Days: Mark Athitakis on Ottessa Moshfegh's Eileen

Counting Down the National Book Critics Circle Awards Finalists

By Mark Athitakis | February 15, 2016

Han Kang on Violence, Beauty, and the (Im)possibility of Innocence

Han Kang on Violence, Beauty, and the (Im)possibility of Innocence

Bethanne Patrick in conversation with the author of The Vegetarian

By Bethanne Patrick | February 12, 2016

Why Does Art Happen in Pairs?

Why Does Art Happen in Pairs?

Or What To Do When a Novel Just Like Yours Comes Out First

By Drew Nellins Smith | February 12, 2016

What Makes Something Funny?

What Makes Something Funny?

Stuart Evers on Why Jokes Make the Best Weapons

By Stuart Evers | February 12, 2016

A. O. Scott Asks Himself: What is Criticism?

A. O. Scott Asks Himself: What is Criticism?

One of America's Great Critics Has Some Questions—For Himself

By A. O. Scott | February 11, 2016

A Bikini, a Toothbrush, and 44 Issues of <em>The New Yorker</em>

A Bikini, a Toothbrush, and 44 Issues of The New Yorker

In Which Summer Brennan Attempts to Catch Up On a Year's Reading

By Summer Brennan | February 11, 2016

How to Write What You <em>Don't</em> Know

How to Write What You Don't Know

Amy Gustine on the Deep Research Behind Good Fiction

By Amy Gustine | February 10, 2016

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    • The Rhyme & Reason of Suspense: Lisa Gardner on Her New Standalone, 'You’ll Be Sorry'August 14, 2026 by John B. Valeri
    • Fed Up: Emotional Labor, Women, and the Way Forward
    • The Best Reviewed Books of the Week
    • "Attuned to women s everyday stresses em Fed Up em s chief value lies in…"
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