How to Write This Year’s “Definitive Novel” of the East Village in the 1980s

How to Write This Year’s “Definitive Novel” of the East Village in the 1980s

Jarett Kobek Gives Away His Professional Secrets

By Jarett Kobek | August 14, 2017

Katie Kitamura on Subverting Tropes in <em>A Separation</em>

Katie Kitamura on Subverting Tropes in A Separation

Because All Books Have Dead Women and Tidy Endings

By Emily Temple | August 14, 2017

Writing Just Enough Detail, But Not Too Much

Writing Just Enough Detail, But Not Too Much

Daniel Galera on Finding That Perfect Description

By Daniel Galera | August 14, 2017

The Useful Dangers of Fairy Tales

The Useful Dangers of Fairy Tales

Because Sometimes the Wolf Shows Up Uninvited

By Amber Sparks | August 11, 2017

On Living, and Thinking, in Two Languages at Once

On Living, and Thinking, in Two Languages at Once

Camille Bordas on Bouncing Between French and English

By Camille Bordas | August 11, 2017

How Pickles Help Me Survive the Horrible, Wonderful Life of a Writer

How Pickles Help Me Survive the Horrible, Wonderful Life of a Writer

Danya Kukafka on Her One, True Love: A Good Pickle

By Danya Kukafka | August 11, 2017

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On Nanni Balestrini, the Most Radically Formalist Poet of the Italian Scene

By Franco “Bifo” Berardi | August 11, 2017

How Much of Einstein's Theory of Relativity is in the Writing of Virginia Woolf?

By Gabrielle Bellot | August 10, 2017

Charlie Jane Anders on Writing the Future

By Emily Temple | August 10, 2017

Toward a New Climate Change Genre: First Impact Fiction

Toward a New Climate Change Genre: First Impact Fiction

Ashley Shelby: The Apocalypse is Now

By Ashley Shelby | August 9, 2017

Lindsay Hunter on Parenthood, Binge-Eating, and Assless Pants

Lindsay Hunter on Parenthood, Binge-Eating, and Assless Pants

The Author of Eat Only When You’re Hungry is Actually Trying to Be Subtle

By Maddie Crum | August 9, 2017

Speaking with Novelist-Screenwriters Tom Perrotta and Noah Hawley

Speaking with Novelist-Screenwriters Tom Perrotta and Noah Hawley

On Mrs. Fletcher, The Leftovers, Collaboration, and More

By Literary Hub | August 9, 2017

Good Memoir Comes From Saying What Can't Be Said

Good Memoir Comes From Saying What Can't Be Said

Dani Shapiro on What We Lose by Using Twitter

By Emily Temple | August 8, 2017

On the Redemptive Generosity of Artistic Communities

On the Redemptive Generosity of Artistic Communities

How to Find a Little Hope in These Dark Times

By Veronica Esposito | August 8, 2017

Kamila Shamsie is Bringing Pakistani History to a Global Audience

Kamila Shamsie is Bringing Pakistani History to a Global Audience

John Freeman Catches Up with the Booker Nominated Author in London

By John Freeman | August 7, 2017

Do I Have the Right to Inhabit Another's Mental Illness in Fiction?

Do I Have the Right to Inhabit Another's Mental Illness in Fiction?

Sarah Faber on Writing Her Mother's Life

By Sarah Faber | August 7, 2017

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