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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
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Is Fabulism the New Sincerity?

Is Fabulism the New Sincerity?

Brenda Peynado Considers the Dishonesty of Irony

By Brenda Peynado | May 17, 2021

Layla AlAmmar: Who Gets to Dictate How a Story Is Told?

Layla AlAmmar: Who Gets to Dictate How a Story Is Told?

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 17, 2021

How We Wrote a Joint Memoir Without Sabotaging Our Relationship

How We Wrote a Joint Memoir Without Sabotaging Our Relationship

Meg Bashwiner and Joseph Fink on the Complexities of the Collaborative Process

By Meg Bashwiner and Joseph Fink | May 17, 2021

On the Best Subversive, Genre-Busting Writer You’ve Never Heard Of

On the Best Subversive, Genre-Busting Writer You’ve Never Heard Of

Tobias Carroll Rereads M. John Harrison, an Under-Recognized Master

By Tobias Carroll | May 14, 2021

Pride and Property: <br>On the Homes of Jane Austen

Pride and Property:
On the Homes of Jane Austen

Phyllis Richardson on the Manors, Rectories, and Cottages That Influenced Austen's Domestic Writing

By Phyllis Richardson | May 14, 2021

Why Are Creepy Children So Compelling?

Why Are Creepy Children So Compelling?

A. J. Gnuse on Our Misplaced Fear of the Gothic

By A. J. Gnuse | May 14, 2021

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Barry Jenkins’ Underground Railroad is Even More Challenging Than the Novel

By Emily Temple | May 14, 2021

In Praise of the Singular “They”
in Literary Translation

By Isaac Stackhouse Wheeler | May 14, 2021

Olivia Laing on Writing the Global Story of Liberation

By Olivia Laing | May 14, 2021

Interview with an Indie Press: Tin House

Interview with an Indie Press: Tin House

On Starting Conversations with Readers and Emerging Writers

By Corinne Segal | May 14, 2021

Bonnie MacBird on Expanding the Canon of Sherlock and Watson

Bonnie MacBird on Expanding the Canon of Sherlock and Watson

In Conversation with C.P. Lesley on the New Books Network Podcast

By New Books Network | May 14, 2021

Cambria Gordon on the Lost Art of Penmanship

Cambria Gordon on the Lost Art of Penmanship

In Conversation with Mitchell Kaplan on The Literary Life Podcast

By The Literary Life | May 14, 2021

Why Did I Wait So Long to Read Jane Austen?

Why Did I Wait So Long to Read Jane Austen?

Joshua Raff on His Pandemic Jane-Quest

By Joshua Raff | May 13, 2021

When an Apparition of Virginia Woolf Interrupts Your Writing Process

When an Apparition of Virginia Woolf Interrupts Your Writing Process

Rachel Eisendrath: “She had taken hold of my manuscript. And she was looking down at it.”

By Rachel Eisendrath | May 13, 2021

Tayari Jones on <em>The Women of Brewster Place</em>, Nearly Forty Years Later

Tayari Jones on The Women of Brewster Place, Nearly Forty Years Later

Reconsidering a Watershed Moment
of Black Storytelling

By Tayari Jones | May 13, 2021

Elissa Washuta on Composing the Three-Act Structure of Her Essay Collection

Elissa Washuta on Composing the Three-Act Structure of Her Essay Collection

This Week on the Reading Women Podcast

By Reading Women | May 13, 2021

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Page 396 of 641
    • Eli Frankel: I Was the Last Person to Interview the Black Dahlia Murder Witness.November 11, 2025 by Eli Frankel
    • David Baldacci on Pushing Your Characters Into the UnknownNovember 11, 2025 by David Baldacci
    • Eric Heisserer on Filmmaking, Reincarnation, and Writing His First NovelNovember 11, 2025 by Alex Dueben
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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