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Why, If We Want to Create a More Human World, the Future Must Be Analog

Why, If We Want to Create a More Human World, the Future Must Be Analog

David Sax in Conversation with Andrew Keen on Keen On

By Keen On | October 26, 2022

On Messi, Ronaldo, and the Radical Remaking of the World’s Game Over the Last 20 Years

On Messi, Ronaldo, and the Radical Remaking of the World’s Game Over the Last 20 Years

Jonathan Clegg in Conversation with Andrew Keen on Keen On

By Keen On | October 26, 2022

“A Lot of People Can’t Stomach It.” Jonathan Escoffery on the Paradox of Writing About Poverty

“A Lot of People Can’t Stomach It.” Jonathan Escoffery on the Paradox of Writing About Poverty

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | October 26, 2022

How My Novel Disappeared—And Why it Came Back

How My Novel Disappeared—And Why it Came Back

Lucy Ferriss on the “Strange Miracle” That Brought Back Her Story

By Lucy Ferriss | October 26, 2022

Neither Heroines Nor Villains: The Brave-Hearted Women Who Settled the American West

Neither Heroines Nor Villains: The Brave-Hearted Women Who Settled the American West

Katie Hickman in Conversation with Andrew Keen on Keen On

By Keen On | October 26, 2022

Can Digital Technology Can Be Harnessed to Realize Equality, Inclusion, and a Brighter Future?

Can Digital Technology Can Be Harnessed to Realize Equality, Inclusion, and a Brighter Future?

Orly Lobel in Conversation with Andrew Keen on Keen On

By Keen On | October 26, 2022

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

A History of the Sassoons—One of the World’s Great Global Merchant Families

By Keen On | October 26, 2022

Merve Emre: Why Going Viral on Twitter Makes You Non-Human in the Public Sphere

By Twitterverse | October 25, 2022

In Service of the Avant Garde: On the Unlikely Success
of Siglio Press

By Elissa Schappell | October 25, 2022

Lee Child and Andrew Child on Discipline, Dread, and Writing Late at Night

Lee Child and Andrew Child on Discipline, Dread, and Writing Late at Night

And Why There’s No Point in Trying to Organize a Bookshelf

By Literary Hub | October 25, 2022

The Pains and Pleasures of Taking Decades to Write a Book

The Pains and Pleasures of Taking Decades to Write a Book

Devoney Looser on Researching Early Historical Novelists Jane and Anna Maria Porter

By Devoney Looser | October 25, 2022

Listen to a Future Fable From Mieko Kawakami: “Sleep Is All Hers”

Listen to a Future Fable From Mieko Kawakami: “Sleep Is All Hers”

From Our Future Fables Podcast Series, in Partnership with Aesop

By Future Fables | October 25, 2022

Manuel Muñoz on Writing Through Uncertainty

Manuel Muñoz on Writing Through Uncertainty

Jane Ciabattari Talks to the Author of The Consequences

By Jane Ciabattari | October 25, 2022

Seeking a New Story: On Sobriety and the Stories We Tell About Ourselves

Seeking a New Story: On Sobriety and the Stories We Tell About Ourselves

Sara Martin Considers the Sobriety Narrative and the Pitfalls of Fixed Identities

By Sara Martin | October 25, 2022

Erika T. Wurth on Writing Horror as a Former Dorky Kid

Erika T. Wurth on Writing Horror as a Former Dorky Kid

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | October 25, 2022

Bad Jews: On the Politics of American Jewish Identity

Bad Jews: On the Politics of American Jewish Identity

Emily Tamkin in Conversation with Andrew Keen on Keen On

By Keen On | October 25, 2022

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    • 6 Thrillers That Reveal the Dark Sides of FameJanuary 21, 2026 by Jessie Garcia
    • Ellie Levenson on the Beautiful Realism of Ambiguous Endings in NarrativesJanuary 21, 2026 by Ellie Levenson
    • Crime on the High Seas: 8 Historical Mysteries with Pirates and SmugglersJanuary 21, 2026 by Linda Wilgus
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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