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  • Craft and Criticism
    • Literary Criticism
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Confronting Colonial Amnesia: Dredging Up the Sunken History of the Transatlantic Slave Trade

Confronting Colonial Amnesia: Dredging Up the Sunken History of the Transatlantic Slave Trade

Sean Kingsley in Conversation with Andrew Keen on Keen On

By Keen On | October 12, 2022

On the Interpreters Whose Words Directed Chinese and British History

On the Interpreters Whose Words Directed Chinese and British History

Henrietta Harrison on a Key Episode in Diplomatic History

By Henrietta Harrison | October 12, 2022

Marie-Claire Amuah Reads from <em>One For Sorrow, Two For Joy</em>

Marie-Claire Amuah Reads from One For Sorrow, Two For Joy

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | October 12, 2022

How Can We Democratize Economic Opportunity So It’s Not Just White Men Who Boast of Being “Innovators”?

How Can We Democratize Economic Opportunity So It’s Not Just White Men Who Boast of Being “Innovators”?

Lorraine H. Marchand in Conversation with Andrew Keen on Keen On

By Keen On | October 12, 2022

More Real-Life Murder Stories: The Evil Mother-in-Law Who Organized One of California’s Grisliest Killings

More Real-Life Murder Stories: The Evil Mother-in-Law Who Organized One of California’s Grisliest Killings

Deborah Holt Larkin in Conversation with Andrew Keen on Keen On

By Keen On | October 12, 2022

“There’s No Such Thing as Failure.” Morgan Talty on Writerly Persistence

“There’s No Such Thing as Failure.” Morgan Talty on Writerly Persistence

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | October 12, 2022

Best Reviewed
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  • On the Calculation of Volume (Book III)
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  • Mexico: A 500-Year History

That Fictional Summer in Berlin: When a British Aristocrat, and Her Camera, Revealed the Truth About the Nazi Regime

By Keen On | October 12, 2022

Molly Jong-Fast: What It’s Like Doing Battle with Elon Musk on Twitter

By Twitterverse | October 11, 2022

Lydia Millet on Long Extinct Creatures and Boundaries Real and Imaginary

By Jane Ciabattari | October 11, 2022

How Women Writers Speculated Fictional Futures Free From Patriarchal Control

How Women Writers Speculated Fictional Futures Free From Patriarchal Control

Lisa Yaszek on the Feminist History of Science Fiction

By Lisa Yaszek | October 11, 2022

When Less Is More: On Writing Sex and Violence

When Less Is More: On Writing Sex and Violence

Reine Arcache Melvin Explores the Twin Roots of Horror and Desire

By Reine Arcache Melvin | October 11, 2022

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

Featuring Ross Gay, Elizabeth Strout, Erin Keane, and More!

By Teddy Wayne | October 11, 2022

How Homesteading Helped Me Write

How Homesteading Helped Me Write

Michelle Webster-Hein on Two Perfectly Complementary Pursuits

By Michelle Webster-Hein | October 11, 2022

How Being Broke (and Taking My Top Off) Made Me a Writer

How Being Broke (and Taking My Top Off) Made Me a Writer

Deborah E. Kennedy on the Narrative Arc Created by a Lack of Money

By Deborah E. Kennedy | October 11, 2022

Sara Flemington on Starting in the Middle of Things

Sara Flemington on Starting in the Middle of Things

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | October 11, 2022

Cecilia Gentili on Growing Up Trans in 1970s Argentina (and Discovering How to Write About It)

Cecilia Gentili on Growing Up Trans in 1970s Argentina (and Discovering How to Write About It)

The Author of Faltas Talks to LittlePuss Press Editor Cat Fitzpatrick

By Cat Fitzpatrick | October 11, 2022

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Page 238 of 645
    • The Best Books of 2025: Crime Fiction, Mysteries, and ThrillersDecember 4, 2025 by CrimeReads
    • Why Washington DC is the Perfect City to Set a Psychological ThrillerDecember 4, 2025 by Christina Kovac
    • Why So Many Former Intelligence Officers Write Espionage FictionDecember 4, 2025 by Charles Beaumont
    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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