Marisa Crane on the Finer Points of Experimental Fiction

Marisa Crane on the Finer Points of Experimental Fiction

“The experimental form should relate to and enhance the themes and narrative—not distract from it.”

By Mac Crane | January 19, 2023

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

“For all its porno doominess, it often elicits little more than a mild wow.”

By Book Marks | January 19, 2023

Beyond <em>The Artist’s Way</em>: Julia Cameron on Writing for Life

Beyond The Artist’s Way: Julia Cameron on Writing for Life

In Conversation with Joel Fotinos, Virtually at Greenlight Bookstore

By The Virtual Book Channel | January 19, 2023

How Janet Malcolm Created Her Own Personal Archive

How Janet Malcolm Created Her Own Personal Archive

Eve Sneider on Malcolm’s Posthumous Still Pictures

By Eve Sneider | January 18, 2023

Satyrs and Poets and Jazzmen and Muses: Anne Waldman on Life at Bennington in the Early 1960s

Satyrs and Poets and Jazzmen and Muses: Anne Waldman on Life at Bennington in the Early 1960s

“I was competitive with men. I wanted their freedom.”

By Anne Waldman | January 18, 2023

Daniel Torday on Why There Are No Acknowledgements in His Latest Novel

Daniel Torday on Why There Are No Acknowledgements in His Latest Novel

“That absence grows into not a void, but a validation of a privacy we’ve lost track of in our information-abundant existence.”

By Daniel Torday | January 18, 2023

Best Reviewed
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  • Departure(s)
  • The Flower Bearers
  • Eating Ashes
  • Every One Still Here: Stories
  • Once There Was a Town: The Memory Books of a Lost Jewish World
  • The Typewriter and the Guillotine: An American Journalist, a German Serial Killer, and Paris on the Eve of WWII

WATCH: Tom Crewe and Colm Tóibín on the Joyful History of Gay Life

By The Virtual Book Channel | January 18, 2023

Heather Radke on the Profundity of Our Unruly Bodies

By Thresholds | January 18, 2023

Bruce Wagner on Oral Histories and Our Culture’s Obsession with Fame

By Otherppl with Brad Listi | January 18, 2023

18 new books to pick up at your local indie.

18 new books to pick up at your local indie.

By Katie Yee | January 17, 2023

Here’s Your 2023 Literary Film and TV Preview

Here’s Your 2023 Literary Film and TV Preview

43 Shows and Movies to Stream and See This Year

By Emily Temple | January 17, 2023

Dan Kois on Youthful Nostalgia and Rediscovering the Craft of Fiction

Dan Kois on Youthful Nostalgia and Rediscovering the Craft of Fiction

Erica Eisdorfer Talks to the Author of Vintage Contemporaries

By Erica Eisdorfer | January 17, 2023

How Leaning into Marginalia Helped Me Accept the Loss of Control That Comes with Publication

How Leaning into Marginalia Helped Me Accept the Loss of Control That Comes with Publication

Josh Riedel on Doodles, Dogears, and Acceptance

By Josh Riedel | January 17, 2023

Kathryn Ma on Writing (Un)Reliable Optimistic Narrators

Kathryn Ma on Writing (Un)Reliable Optimistic Narrators

Jane Ciabattari Talks to the Author of The Chinese Groove

By Jane Ciabattari | January 17, 2023

Does Edith Wharton Hate Us?

Does Edith Wharton Hate Us?

From The History of Literature Podcast with Jacke Wilson

By History of Literature | January 17, 2023

Alia Trabucco Zerán, the Author of <em>When Women Kill</em>, on Writing While Uncomfortable

Alia Trabucco Zerán, the Author of When Women Kill, on Writing While Uncomfortable

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | January 17, 2023

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