Literary Hub
Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Become A Member
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Criticism
Fiction and Poetry
News and Culture
Lit Hub Radio
Reading Lists
Book Marks
CrimeReads
Log In
Craft and Criticism
The Time I Stole Tama Janowitz’s
Slaves of New York
and Couldn’t Stop Reading It
Elwin Cotman on His Frustration and Enchantment with a True 1980s Classic
By
Elwin Cotman
| April 16, 2024
How Wilfred Owen and Siegfried Sassoon Forged a Literary and Romantic Bond
Michael Korda on the Creative and Sentimental Camaraderie Between Two Soldier Poets
By
Michael Korda
| April 16, 2024
Contemporary Literary Novels Are Haunted by the Absence of Money
Naomi Kanakia Wonders Why Nobody Talks About the Thing We All Need
By
Naomi Kanakia
| April 16, 2024
The Sound of C: On Giving a Voice to the Words of Others
Lissa Soep Chronicles the Process of Creating an Emotionally Authentic Audiobook
By
Lissa Soep
| April 16, 2024
Brianna Pastor Had to Write About Her Grief and Shame to Begin Healing
The Author of “Good Grief” on the Bittersweet Experience of Writing Her Poetry Collection
By
Brianna Pastor
| April 16, 2024
Julia Hannafin on Thematic Parallels
In Conversation with Lindsay Hunter on I'm a Writer But
By
I'm a Writer But
| April 16, 2024
Best Reviewed
Books of the Week
The Literary Outsider: How Barbara Comyns Wrote Her Way to
The Juniper Tree
By
Sarah McClung
| April 15, 2024
How To Write Egoless Prose, At Least For a Little While
By
Steve Almond
| April 15, 2024
Julia Alvarez on Mortality
By
First Draft: A Dialogue on Writing
| April 15, 2024
John McMurtrie on the State of the Book Review
From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner
By
Memoir Nation
| April 15, 2024
What Should You Read Next? Here Are the Best Reviewed Books of the Week
Featuring New Titles by Leigh Bardugo, Alexandra Fuller, Anne Lamott, and More
By
Book Marks
| April 12, 2024
50 Ways to End a Poem
Emily Skaja Has Some Recommendations for Making a Strong Exit
By
Emily Skaja
| April 12, 2024
Yes, But Can You Really Explain the Difference Between Morals and Ethics?
Eli Burnstein on the Subtle Nuances of the English Language
By
Eli Burnstein
| April 12, 2024
More Than “Friendless” or “Fallen...” Giving Voice to the Women Who Misbehaved in History
Kelly E. Hill on Women Defying Societal Norms in the Nineteenth Century
By
Kelly E. Hill
| April 12, 2024
Busting Genre, in Style: Geoff Dyer on the Joy of Writing “Unpublishable” Books
George Makari Talks to the Author of “The Last Days of Roger Federer: And Other Endings”
By
George Makari
| April 11, 2024
5 Book Reviews to Read This Weeks
“The collection reads like a juvenile burn book, totally uninterested in the world outside her group chat.”
By
Book Marks
| April 11, 2024
« First
‹ Previous
206
207
208
209
210
211
212
213
214
Next ›
Last »
Page 210 of 880
Why The Mechanic, not The Jackal, Is the Ultimate 1970s Movie Hitman
October 29, 2026
by
J.M. Berger
Richard Chizmar on horror, alter egos, and ending his Boogeyman series
October 29, 2026
by
John B. Valeri
Adam Plantinga on writing gritty, tough-guy protagonists in modern crime fiction
October 29, 2026
by
Adam Plantinga
The Best Reviewed Books of the Week
"A vivid, sometimes grisly, sometimes enraging portrait of 19th-century British society ... Probing and excellent."