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How Self-Satire Can Act as Catharsis

How Self-Satire Can Act as Catharsis

Sonora Jha on the Challenges of Satirizing a Character Who Reminds Her of Herself

By Sonora Jha | October 15, 2025

Quan Barry on Writing a Horror Novel Set in Antarctica

Quan Barry on Writing a Horror Novel Set in Antarctica

Jane Ciabattari Talks to the Author of “The Unveiling”

By Jane Ciabattari | October 14, 2025

Poetry for Everyone: Remembering Courtney Kampa

Poetry for Everyone: Remembering Courtney Kampa

On Creating a Posthumous Collection That Captures a Vibrant Life and Creative Ethos

By Catherine Pond and T Bambrick | October 14, 2025

Regina Brooks on the Business of Memoir

Regina Brooks on the Business of Memoir

From the Memoir Nation Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | October 14, 2025

Pynchon and Splatterpunk in America on <em>The Lit Hub Podcast</em>

Pynchon and Splatterpunk in America on The Lit Hub Podcast

Featuring Oliver Scialdone, Devin Thomas O'Shea, Drew Broussard, and a phone call from Mattilda Bernstein Sycamore

By The Lit Hub Podcast | October 10, 2025

Tawny Lara on Embracing the Sh*tty First Draft

Tawny Lara on Embracing the Sh*tty First Draft

Write Like an Idiot!

By Tawny Lara | October 10, 2025

Best Reviewed
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  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

The Annotated Nightstand: What Caren Beilin Is Reading Now, and Next

By Diana Arterian | October 8, 2025

Beyond One-Note Nastiness: On Getting Inside the Head of a Despicable Character

By Shannon Bowring | October 8, 2025

A Cross-Genre Trek: How Translation Improved My Debut Novel

By Laura Venita Green | October 8, 2025

Ayana Elizabeth Johnson on Hope

Ayana Elizabeth Johnson on Hope

In Conversation with Jordan Kisner on Thresholds

By Thresholds | October 8, 2025

Why We Write the Extra Details

Why We Write the Extra Details

Kate Cayley on the Intersection of Politics, Art, and the Private Self

By Kate Cayley | October 7, 2025

Patricia Smith on How a Poet Ages

Patricia Smith on How a Poet Ages

Growing Older and Forging Connection Through Poetry

By Patricia Smith | October 6, 2025

What Time Provides: Mining the Creative Unconscious For Inspiration

What Time Provides: Mining the Creative Unconscious For Inspiration

Victoria Redel on Taking Decades to Return To a Once-Abandoned Story

By Victoria Redel | October 6, 2025

How Harassment at the Strip Club Prepared Me For Publishing 

How Harassment at the Strip Club Prepared Me For Publishing 

Michelle Gurule on Writing About Sex Work

By Michelle Gurule | October 6, 2025

“It’s Okay But It’s Also Really Not.” When Dystopian Fiction is No Longer a Thought Experiment

“It’s Okay But It’s Also Really Not.” When Dystopian Fiction is No Longer a Thought Experiment

Yume Kitasei Explores the Different Forms Dystopias Can Take, On and Off the Page

By Yume Kitasei | October 6, 2025

Kwame Alexander on Saying Yes!

Kwame Alexander on Saying Yes!

From the Memoir Nation Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | October 6, 2025

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Page 9 of 263
    • New Series to Watch this WeekendJanuary 30, 2026 by Olivia Rutigliano
    • Ritual, Alternate Histories, and More: 8 Novels About Secret SocietiesJanuary 30, 2026 by Karen Winn
    • The Best Reviewed Books of the Month: January 2026January 30, 2026 by CrimeReads
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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