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What Playing Basketball Taught Me About the Creative Process

What Playing Basketball Taught Me About the Creative Process

Ben Markovits on the Lessons He Learned About Writing From Sports

By Ben Markovits | March 17, 2026

What Wayne Koestenbaum Learned From <em>Gilligan’s Island</em> (And Why He Will Never Finish Reading Marx’s <em>Capital</em>)

What Wayne Koestenbaum Learned From Gilligan’s Island (And Why He Will Never Finish Reading Marx’s Capital)

The Author of My Lover, the Rabbi Takes the Lit Hub Questionnaire

By Wayne Koestenbaum | March 17, 2026

On the Genius of Frances Burney, Jane Austen’s Most Important Literary Predecessor

On the Genius of Frances Burney, Jane Austen’s Most Important Literary Predecessor

Natasha Joukovsky Considers Ahead-of-Their-Time Novels Cecilia and Evelina

By A. Natasha Joukovsky | March 16, 2026

Beyond “Women’s Fiction...” On the Quiet Brilliance of Barbara Pym

Beyond “Women’s Fiction...” On the Quiet Brilliance of Barbara Pym

Kerry Clare In Praise of Writing Stories Attuned to the Details of Everyday Life

By Kerry Clare | March 16, 2026

Crying in the Multiverse: On the Potential of Possibility as a Literary Device

Crying in the Multiverse: On the Potential of Possibility as a Literary Device

Genevieve DeGuzman Channels Grief and Loss Into Imagining Other Worlds

By Genevieve DeGuzman | March 16, 2026

Janine Kovac on Getting Into Writing Residencies and Book Festivals

Janine Kovac on Getting Into Writing Residencies and Book Festivals

From the Memoir Nation Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | March 16, 2026

Best Reviewed
Books of the Week

  • Go Gentle
  • The Palm House
  • Lázár
  • Rasputin: The Downfall of the Romanovs
  • Famesick: A Memoir
  • Where the Music Had to Go: How Bob Dylan and the Beatles Changed Each Other--And the World

Philip Schultz on Unavoidable Mortality

By First Draft: A Dialogue on Writing | March 16, 2026

Andrew Martin on How to Manage Exposition

By Andrew Martin | March 13, 2026

Am I the Asshole For Trying to Pitch Editors and Agents at Crowded AWP Parties?

By Kristen Arnett | March 13, 2026

Aracelis Girmay on Reading Toni Morrison and Lucille Clifton

Aracelis Girmay on Reading Toni Morrison and Lucille Clifton

In Conversation with Jordan Kisner on Thresholds

By Thresholds | March 13, 2026

Five Books About Breaking Up... With Your Friend

Five Books About Breaking Up... With Your Friend

Sarvat Hasin Recommends Elena Ferrante, Sharlene Teo, Maeve Binchy, and More

By Sarvat Hasin | March 11, 2026

How Being a Former Gossip Reporter Made Me a Better Writer

How Being a Former Gossip Reporter Made Me a Better Writer

Juliet Izon on What She Learned From Writing About Celebrity Gossip

By Juliet Izon | March 11, 2026

Chronicling Millenial Malaise With Andrew Martin

Chronicling Millenial Malaise With Andrew Martin

Sam Axelrod Talks to the Author of Down Time

By Sam Axelrod | March 10, 2026

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Featuring T Kira Madden, Benjamin Hale, Lily Brooks-Dalton and More

By Teddy Wayne | March 10, 2026

The Stories Our Mothers (Never) Told Us: Alice Martin Writing About Family Archives

The Stories Our Mothers (Never) Told Us: Alice Martin Writing About Family Archives

“At what point does writing about extraordinary circumstances for women become ordinary?”

By Alice Martin | March 10, 2026

Karan Mahajan on Literary Tradition, Trump, and Writing Multiple Points of View

Karan Mahajan on Literary Tradition, Trump, and Writing Multiple Points of View

Anna North in Conversation with the author of The Complex

By Anna North | March 10, 2026

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Page 5 of 338
    • Why We Love Reluctant HeroesApril 22, 2026 by Buddy Beaudoin
    • White Picket Mayhem: 6 Thrillers Set in the SuburbsApril 22, 2026 by Nicole Blades
    • How Teaching Wilderness Science in Yellowstone Inspired a Fantasy Novel in Victorian LondonApril 22, 2026 by Thomas Kent West
    • Go Gentle
    • The Best Reviewed Books of the Week
    • "A social satire full of dopamine-releasing one-liners and sparkling writing But it can be frustratingly…"
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