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The Annotated Nightstand: What Stine An is Reading Now, and Next

The Annotated Nightstand: What Stine An is Reading Now, and Next

Featuring Lee Jenny, Cynthia Cruz, Henry Goldkamp, and More

By Diana Arterian | May 14, 2026

Lucy Sante Recommends Five Books About Her Most Important Tool as a Writer: Memory

Lucy Sante Recommends Five Books About Her Most Important Tool as a Writer: Memory

The Windham-Campbell Prize Winner on Works by Frances A. Yates, Vladimir Nabokov, Donald Westlake, and More

By Lucy Sante | May 13, 2026

When Biography Goes Delulu: Writing the Life of Superstar Astrologer Linda Goodman

When Biography Goes Delulu: Writing the Life of Superstar Astrologer Linda Goodman

“The hazy, contradictory landscape of Goodman’s life was the truth of her existence.”

By Courtney Ann LaFaive | May 13, 2026

On the Particular Joys of Etymology and Polyglot Prose

On the Particular Joys of Etymology and Polyglot Prose

Geoffrey D. Morrison on Learning and Teaching Languages As a Fiction Writer

By Geoffrey D. Morrison | May 12, 2026

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Featuring Anna Konkle, Hafeez Lakhani, Harriet Clark and More

By Teddy Wayne | May 12, 2026

Hannah Thurman on Writing a Family Drama Set in a Mental Hospital

Hannah Thurman on Writing a Family Drama Set in a Mental Hospital

Jane Ciabattari Talks to the Author of Mercy Hill

By Jane Ciabattari | May 12, 2026

Best Reviewed
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  • Trash!: A Garbageman's Story
  • As If
  • Good Company
  • Radical Duke: How One Aristocrat-And the American Revolution-Transformed Britain
  • Monster of a Land: On the Road in Search of Modern America

What Close Reading Can Reveal About an Author’s Intentions

By Suzanne Berne | May 11, 2026

Mysterious, Isolated and Seductive: The Map of Literary Islands That Inspired My Novel

By Christiana Spens | May 11, 2026

Tom Junod on Finding the Right Trick

By Tom Junod | May 8, 2026

Why Writing Stories For Children is So Much Harder Than Writing Stories For Adults

Why Writing Stories For Children is So Much Harder Than Writing Stories For Adults

Claire Swinarski on the Fulfilling Job of Creating Stories for Kids

By Claire Swinarski | May 8, 2026

Am I the Literary Asshole For Thinking Most Writers Are Trash, Actually?

Am I the Literary Asshole For Thinking Most Writers Are Trash, Actually?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | May 7, 2026

Fellow Travelers: On Reimagining Chaucer in Post-Soviet Ukraine

Fellow Travelers: On Reimagining Chaucer in Post-Soviet Ukraine

Irene Zabytko Recounts the Process of Creating Her Own Version on The Canterbury Tales

By Irene Zabytko | May 7, 2026

In Writing About Cults (and Religion) Telling is Better than Showing

In Writing About Cults (and Religion) Telling is Better than Showing

Harrison Hill in Conversation with Benjamin Hale

By Literary Hub | May 7, 2026

Where I End, the Writing Begins: What Undergoing Surgery Taught Me About Transcendence

Where I End, the Writing Begins: What Undergoing Surgery Taught Me About Transcendence

Diane Les Becquets: “And I watched those moments unfold before me, as if in real time, and I felt everything.”

By Diane Les Becquets | May 7, 2026

How I Found Myself—and My Next Setting—at the Beach

How I Found Myself—and My Next Setting—at the Beach

Angela Brown on Returning to a Beloved Vacation Spot in Her Most Recent Novel

By Angela Brown | May 7, 2026

What Objects Can—and Should—Reveal About Their Owners

What Objects Can—and Should—Reveal About Their Owners

Rachel F. Seidman on the Importance of Material Culture in Constructing Oral Histories

By Rachel F. Seidman | May 6, 2026

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