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Why Does Women's Writing About Relationships Need to be “Relatable”?

Why Does Women's Writing About Relationships Need to be “Relatable”?

Hint: It's a Word Men Use to Describe Their Writing in Order to Diminish It

By Blythe Roberson | January 10, 2019

The Unexpected Literary Pleasure of Marijuana Reviews

The Unexpected Literary Pleasure of Marijuana Reviews

Walk With Us Through a Transcendent Corner of the Internet

By Taylor Lannamann | January 9, 2019

Marcel Proust Was Almost Impossible to Edit

Marcel Proust Was Almost Impossible to Edit

Carol Clark on the Challenges of Editing and Translating The Prisoner

By Carol Clark | January 8, 2019

On the Freaky Foods of Fictional Worlds

On the Freaky Foods of Fictional Worlds

From Abundance to Scarcity, What Eating in Sci-Fi Says About the Real World

By Lizzy Saxe | January 7, 2019

Toward an Expanded Canon of Black Literature

Toward an Expanded Canon of Black Literature

How Some Black Writers Live, and Some Die

By Mateo Askaripour | January 3, 2019

Reading Feminist Futurism in the Age of the “Female” Virtual Assistant

Reading Feminist Futurism in the Age of the “Female” Virtual Assistant

Images of Empowerment in the Literary Cyborg

By Samantha Edmonds | January 3, 2019

Best Reviewed
Books of the Week

  • Departure(s)
  • The Flower Bearers
  • Eating Ashes
  • Every One Still Here: Stories
  • Once There Was a Town: The Memory Books of a Lost Jewish World
  • The Typewriter and the Guillotine: An American Journalist, a German Serial Killer, and Paris on the Eve of WWII

On Dickens’ Demons and Weird Relationship with Christmas

By Robert Douglas-Fairhurst | December 20, 2018

What Happened to the Original Version of The Waste Land?

By Christopher Ricks and Jim McCue | December 19, 2018

Can the Establishment Embrace its Critics?

By Alejandro Zambra and Preti Taneja | December 19, 2018

Stop Trying to Make <i>Pride and Prejudice</i> a Christmas Story

Stop Trying to Make Pride and Prejudice a Christmas Story

It's Not, No Matter What Hallmark Does

By Devoney Looser | December 17, 2018

On Sylvia Plath and the Many Shades of Depression

On Sylvia Plath and the Many Shades of Depression

Gabrielle Bellot Considers How a Writer's Work is Measured Against Her Death

By Gabrielle Bellot | December 13, 2018

Oliverio Girondo's Absurd Cosmopolitan World

Oliverio Girondo's Absurd Cosmopolitan World

Meet the Flamboyant Poet of the Argentine Avant-Garde

By Harris Feinsod and Rachel Galvin | December 13, 2018

Rewriting Trauma: The Business of Storytelling in the Age of the Algorithm

Rewriting Trauma: The Business of Storytelling in the Age of the Algorithm

Screenwriter James Schamus on What Goes Into the TV You're Binge-Watching

By James Schamus | December 12, 2018

On James Baldwin's Dispatches from the Heart of the Civil Rights Movement

On James Baldwin's Dispatches from the Heart of the Civil Rights Movement

The Making of an Iconic Essayist

By Ed Pavlić | December 10, 2018

Poet of the Disappeared: On the Writing of Raúl Zurita

Poet of the Disappeared: On the Writing of Raúl Zurita

"There is power and agency in staying in a dangerous place when one has the choice to leave."

By Norma Cole | December 7, 2018

Of Willa Cather's Lasting Love For the Frontier

Of Willa Cather's Lasting Love For the Frontier

"I Do Think My Heart Never Got Across the Missouri River.”

By Catherine Pond | December 7, 2018

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Page 313 of 352
    • William J. Mann on Rumors, the Press, and the Black Dahlia Murder's Enigmatic PlayersJanuary 27, 2026 by William J. Mann
    • Val McDermid on Why She Starts New Novels in JanuaryJanuary 27, 2026 by Val McDermid
    • How Agatha Christie Played the "Game-within-the-Game" in 'The Murder of Roger Ackroyd'January 27, 2026 by John Curran
    • Departure(s)
    • The Best Reviewed Books of the Week
    • "Slim and stark Barnes s prose is largely stripped bare it resembles a tall ship…"
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