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The Wilds of Montana Might Be the Scariest Character of All

The Wilds of Montana Might Be the Scariest Character of All

How London-Based Mystery Writer Karin Salvalaggio Writes Herself Back Home

By Antonia Malchik | May 19, 2016

How to Write Deep in the Woods with a Dog By Your Side

How to Write Deep in the Woods with a Dog By Your Side

Lee Clay Johnson Finds a Post-MFA Writer's Paradise

By Lee Clay Johnson | May 16, 2016

Am I a Character in This Doris Lessing Novel?

Am I a Character in This Doris Lessing Novel?

Jenny Diski on the Ethics of Novelizing Autobiography

By Jenny Diski | May 16, 2016

I Am Jessa Crispin’s Problem with Publishing

I Am Jessa Crispin’s Problem with Publishing

Bethanne Patrick on Careerism, Criticism, and a Life in Books

By Bethanne Patrick | May 13, 2016

How My Best Friend Willa Cather Helped Me Beat Stage Fright

How My Best Friend Willa Cather Helped Me Beat Stage Fright

On Breaking Into Giant Lecture Halls and Looking For Ghosts

By Micah Perks | May 13, 2016

Eight Writing Lessons from <em>Hamilton: The Revolution</em>

Eight Writing Lessons from Hamilton: The Revolution

The Companion Book to Hamilton Offers a Master Class in Craft

By Rob Hart | May 13, 2016

Best Reviewed
Books of the Week

  • Stay Alive: Berlin, 1939-1945
  • Under Water
  • Paradiso 17
  • The Plans I Have for You
  • In Search of Now: The Science of the Present Moment
  • Stephen Sondheim: Art Isn't Easy

In Defense of Grown Men Crying

By Lee Martin | May 12, 2016

How to Write a Book of Poems

By Amanda Nadelberg | May 11, 2016

On the Future of the American Essay

By Tobias Carroll | May 11, 2016

Why I Quit Being a Writer

Why I Quit Being a Writer

Jaime Clarke on Saying Goodbye to the Writing Life

By Jaime Clarke | May 11, 2016

Dear Rick Moody: Should I End My Affair?

Dear Rick Moody: Should I End My Affair?

Rick Moody, Life Coach, on the Cost of Infidelity

By Rick Moody | May 10, 2016

Anton Chekhov: A Post-Post-Modernist Way Ahead of His Time

Anton Chekhov: A Post-Post-Modernist Way Ahead of His Time

What it Means To Be Chekhovian: Lively, Innovative, Experimental

By Peter Constantine | May 9, 2016

Using Crime Fiction to Present Fully Formed Muslim Characters

Using Crime Fiction to Present Fully Formed Muslim Characters

Ausma Zehanat Khan, Human Rights Activist and Mystery Writer

By Marni Graff | May 9, 2016

No One is Writing the Real West Virginia

No One is Writing the Real West Virginia

Why Rural Lives and Literature are in Crisis

By Matthew Neill Null | May 9, 2016

Motherhood vs. Art: There Is No Wrong Choice

Motherhood vs. Art: There Is No Wrong Choice

On Having a Child as a Working Writer

By Diana Abu-Jaber | May 6, 2016

Love is Boring and Hard to Write About, And Yet...

Love is Boring and Hard to Write About, And Yet...

Lydia Millet on Why Hate Is Juicy and Love Is Dry

By Lydia Millet | May 5, 2016

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Page 323 of 334
    • My First Thriller: Kaira RoudaMarch 26, 2026 by Rick Pullen
    • Californian Darkness: The Events Leading Up to Lucille Miller's Infamous Murder TrialMarch 26, 2026 by Debra Miller
    • Rebecca Lehmann on Anne Boleyn and the Fatal Power of Unmanageable WomenMarch 26, 2026 by Rebecca Lehmann
    • Stay Alive: Berlin, 1939-1945
    • The Best Reviewed Books of the Week
    • "Mr Buruma s book while triggered by old photos and letters from Leo s time…"
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