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Tim Dorsey on Writing About Florida as a Floridian

Tim Dorsey on Writing About Florida as a Floridian

In Conversation with Mitchell Kaplan on The Literary Life Podcast

By The Literary Life | February 19, 2021

Kathleen Williams Renk Recreates the Inner World of Mary Shelley

Kathleen Williams Renk Recreates the Inner World of Mary Shelley

In Conversation with C.P. Lesley on the New Books Network Podcast

By New Books Network | February 18, 2021

The Best Sex I Ever Had Was (Also) a Narrative Structure

The Best Sex I Ever Had Was (Also) a Narrative Structure

Helen Betya Rubinstein on Expectation, Eagerness, and Enjoyment

By Helen Betya Rubinstein | February 17, 2021

Why I Wrote a Novel Full of Secondary Characters

Why I Wrote a Novel Full of Secondary Characters

María José Ferrada on Precarity, Loss, and Traveling Salesmen

By María José Ferrada | February 17, 2021

Struggling in Workshop with the Question of Cultural Appropriation

Struggling in Workshop with the Question of Cultural Appropriation

Paisley Rekdal’s Letters to a Student

By Paisley Rekdal | February 16, 2021

Locked Down in Denmark, Learning a Language and Finishing a Novel

Locked Down in Denmark, Learning a Language and Finishing a Novel

Maria Adelmann on the Rewards of Endurance

By Maria Adelmann | February 16, 2021

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

Te-Ping Chen: The Lived of Experience of China is More Brave New World Than 1984

By First Draft: A Dialogue on Writing | February 16, 2021

No Failure of Imagination: Gina Apostol on Revolution, Illusion, and Translation

By Sabina Murray | February 16, 2021

How Being an Airbnb Host and Cleaning Toilets Helped Me Write a Novel

By Kate Russo | February 12, 2021

On the Connection Between Chinese Folktales and American Comic Book Heroes

On the Connection Between Chinese Folktales and American Comic Book Heroes

Gene Luen Yang Returns to the Adventures of Sun Wukong,
the Monkey King

By Gene Luen Yang | February 11, 2021

Brandon Hobson on Getting to the Truth Through Surreality

Brandon Hobson on Getting to the Truth Through Surreality

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | February 11, 2021

‘A Certain Kind of Hunger’: Chang-rae Lee on Writing Connection While We're Worlds Apart

‘A Certain Kind of Hunger’: Chang-rae Lee on Writing Connection While We're Worlds Apart

In Conversation with V.V. Ganeshananthan and Whitney Terrell
on Fiction/Non/Fiction

By Fiction Non Fiction | February 11, 2021

From Stage to Screen to Page... A Few Notes on Writing Across Media

From Stage to Screen to Page... A Few Notes on Writing Across Media

Jen Silverman on Taking Risks and Following Your Artistic Vision

By Jen Silverman | February 11, 2021

Thomas Grattan on Writing a Joyful Queer Protagonist

Thomas Grattan on Writing a Joyful Queer Protagonist

In Conversation with Jackson Howard on Well-Versed

By Well-Versed | February 11, 2021

Emma Copley Eisenberg on the Whiteness and Straightness Embedded in True Crime

Emma Copley Eisenberg on the Whiteness and Straightness Embedded in True Crime

This Week from the Reading Women Podcast

By Reading Women | February 10, 2021

Vendela Vida on Finding Humor in the Darker Side of <br>Teenage Life

Vendela Vida on Finding Humor in the Darker Side of
Teenage Life

The Author of We Run the Tides Talks to Jane Ciabattari

By Jane Ciabattari | February 9, 2021

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Page 182 of 261
    • Elevate Your January Weekend Viewing with a Crime Movie set in the South of FranceJanuary 9, 2026 by Olivia Rutigliano
    • "The Stephen King of His Time": Richard Matheson's Remarkable Career on Page and ScreenJanuary 9, 2026 by Keith Roysdon
    • 8 Cozy Mysteries Perfect for Middle Grade and Young Adult ReadersJanuary 9, 2026 by Taryn Souders
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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