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Eddie Glaude, Jr. on What James Baldwin’s America Teaches
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May 10, 2021
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What Do We Mean When We Say a Novel is Without Plot?
Rónán Hession on Writing a Reflective, Digressive, and Quiet Novel
May 10, 2021
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Why Elizabeth McCracken Loves Ventriloquism and Other Weird Show Business
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The Complicated Grief of Trying to Adopt a Child
Sarah Sentilles: “I was an animal in my grief. Wild. Ready to protect my young, but I didn’t have any.”
May 10, 2021
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Interview with a Journal:
The Point
Everything You Need to Know About the James Wood-Approved Magazine of Philosophical Writing
May 10, 2021
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On Doing Everything Possible to Avoid Becoming a Lawyer (and Failing)
Anna Dorn Tries to Stay Out of the Family Business
May 10, 2021
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Jonathan Taplin: When Music Was a Vanguard for Political Movements
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Your Week in Virtual Book Events, May 10th to 16th
Including Philadelphia's 215 Literary Festival!
May 10, 2021
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Finding the Mother Tree: A Conversation with Suzanne Simard
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When Ralph Ellison Experienced a Forty-Year Writing Block
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Winter in the Blood
by James Welch, Read by Darrell Dennis
Revisit a Classic of Native Literature on Audio
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Lit Hub Weekly: May 3 – 7, 2021
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Finally, a movie that proves being good with words will get you laid.
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Here are the best reviewed books of the week.
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Celebrate the 20th anniversary of Philadelphia’s 215 Literary Arts Festival next week!
May 7, 2021
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On the greatest-ever H. G. Wells adaptation, in which Jack the Ripper escapes . . . to the future.
May 7, 2021
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Excuse me, you look like you are in need of some playlists for 19th century villains.
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“If I could only see it!” Read a newly unearthed letter from Tennessee Williams to Eugene O’Neill.
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