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Sheila Heti on Expanding Our Notions of Mourning
In Conversation with Jordan Kisner on the
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March 2, 2022
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Ed O’Loughlin Reads from
The Last Good Funeral of the Year
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March 2, 2022
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Betina González on
The Little Prince
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Walden
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A Wizard of Earthsea
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American Delirium
March 2, 2022
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Bitter
by Akwaeke Emezi, Read by Bahni Turpin
A Coming-of-Age Story About Love and Revolution
March 2, 2022
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Haymaker in Heaven
Edvard Hoem, Translated by Tara Chace
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Watch Bob Odenkirk show Stephen Colbert how he wrote his memoir. (Spoiler: it’s comedy.)
March 1, 2022
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What can
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March 1, 2022
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Orhan Pamuk, Salman Rushdie, and others sign an open letter condemning Russia’s invasion of Ukraine.
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Here are the winners of the 2022 PEN America Literary Awards.
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On the Ukrainian Poets Who Lived and Died Under Soviet Suppression
Myroslav Laiuk Revisits an Empire That Executed Its Artists
March 1, 2022
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“When? Where? How?” Margaret Atwood Considers the Burning Questions of the Writing Life
“Failed again to find recipe box. Used this as an excuse for not working on overdue bird piece.”
March 1, 2022
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How the Beat Generation Created the Uniform for Disaffected Youth
Sophie Wilson on the Co-opting of a Counterculture
March 1, 2022
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Experiencing Kenosis in the Poetry of Donne and Shakespeare
Jason Gots on Awe and Connection in the Church of Art
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Petroleum and Patriarchy: How Art Functions in
Written on the Wind
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Giant
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Actually, Not Everything is Writing: Sarah Moss on Why She Likes to Knit and Run
“You relax, a psychologist friend observed, by hyperstimulation.”
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Famous Yet Elusive: On Charles Dickens’s Unstable Reputation
“Even in photographs it looked as if his soul had been ‘pumped out of him.’’
March 1, 2022
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J.D. Dickey on the Tormented Rise of Abolition in Andrew Jackson’s America
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Mike Meginnis on Worldbuilding in a Worldending Novel
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John Scalzi on Writing a Sci-Fi Novel Based in a Post-Covid World
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The many faces of the hero’s journey
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