I Really Didn’t Want to Write This Promotional Essay Tied to My Book Release
Lauren Acampora on the Public Consumption of Art, and How Not To Let It Consume You
What Langston Hughes Understood About How Power Relations Shaped US Census Data
Dan Bouk on “Madam and the Census Man” and the Untold Stories Behind Census Records
The History of Riga’s “Little Nuremberg” Trial
Linda Kinstler on Paranoia and Justice in Soviet-Occupied Latvia
Stuck in a Spaceship: On The Expanse and Redrawing the Lines of a Body
Allison Wyss Considers Bodies in Space and Our Communal Body on Earth
WATCH: Elizabeth Crane Talks to Leslie Jamison About Divorce, Transformation, and More
The Author of This Story Will Change in Conversation at Greenlight Bookstore
Forget Politics: Why a Novelist’s First Priority Is To Tell a Good Story
Jean Hanff Korelitz in Conversation with Andrew Keen on Keen On
A Brief Political—and Personal—History of Gay Bathhouses
Rasheed Newson on Sexually Accommodating Spaces as Community Hubs, and the Moral Panics That Destroyed Them
Shane Kowalski on Creating the Comedic Pivots in His Work
In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But
Whose Lives Can We Plunder? Or: How to Base a Character on Yourself
Jincy Willett on Writing From Life Without Betraying Anyone
Tom Scharpling on Legacy, Being Forgotten, and His Latest Paperback Release
In Conversation with Christopher Hermelin on So Many Damn Books
Emotional Expression Is as Scary and Important as You Think It Is
Erica Jong and Lilly Dancyger Guest on the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner
Marguerite Duras on Writing the Screenplay for Alain Resnais’s Hiroshima Mon Amour
“We’re afraid. But ultimately, isn’t that necessary from time to time? Especially in film?”
What Five Years with a Predatory Vanity Press Taught Me About Art and Success
Alexa T. Dodd on a Book Deal That Seemed Too Good to Be True
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