George Saunders on His First Love: Songwriting
Mike Errico Talks to the Writer About His Alternative Life as an Almost Professional Musician
Unguilty Pleasures: My Year of Reading Romance Novels
Katie Fustich on Finding New Possibilities in a Misunderstood Genre
That’s Not Typing, It’s Writing: How T. S. Eliot Wrote “The Waste Land”
“With me an unfinished thing is a thing that might as well be rubbed out.”
Shelf Talkers: What the Booksellers Are Reading at Point Reyes Books
Recommendations from Booksellers in Point Reyes, CA
Who Is the “Noted Writer” Buried in Sleepy Hollow Cemetery?
Nicky Beer Searches For a Long-Lost Writer in the Family
“The Best Story I’ve Ever Written is the One I’m Going to Write Next.” Jack Driscoll on His Stylistic Expansion
In Conversation with Mitzi Rapkin on the First Draft Podcast
Living in an Unfolding Apocalyptic Reality with Emmanuel Vaughan-Lee, Emergence Magazine Founder
This Week from the Emergence Magazine Podcast
Nothing is Real: Craig Brown on the Slippery Art of Biography
“Biography as a form is necessarily artificial. In the end, all biography is a form of fiction.”
In Women Talking, Acts of Imagination Are Acts of Resistance
Michelle Nijhuis Considers Sarah Polley’s New Film Adaptation of Miriam Toews’s Novel
The Original Pinocchio Is a Radical Anti-Work Story
Alessandro Delfanti on Late-19th-Century Italy and the Strings That Pull Us
The Sanctity of a Journal: On Private Writing in the Age of Public Content
“What stories do we owe each other—ourselves?”
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